{"id":11488,"date":"2019-07-31T16:32:31","date_gmt":"2019-07-31T16:32:31","guid":{"rendered":"http:\/\/pirustinews.com\/?p=11488"},"modified":"2019-07-31T16:33:09","modified_gmt":"2019-07-31T16:33:09","slug":"ne-xhuxhe-te-fanit-dicka-me-vlera-historike-trashegimore-po-vjen","status":"publish","type":"post","link":"https:\/\/pirustinews.com\/?p=11488","title":{"rendered":"Ne XHUXH\u00cb t\u00eb Fanit, di\u00e7ka me vlera historike trashegimore po vjen!…"},"content":{"rendered":"

Gjetjet n\u00eb Xhuxh\u00eb, n\u00eb mes realitetit dhe enigm\u00ebs!…<\/em><\/strong><\/p>\n

Nga: Gjergj MARKU<\/em><\/strong><\/p>\n

Para dy dit\u00ebve m\u00eb erdhi nj\u00eb foto nga miku im, infermieri legjend\u00eb, Frrok Bardhi, bir i fshatit Xhuxh\u00eb,<\/strong> pik\u00ebrisht nga fshati i tij ku ishte gjetur nj\u00eb rras\u00eb e \u00e7muar me plot informacion shk\u00ebmbor mbi t\u00eb. Piktograme apo ideograme, nj\u00eb dilem\u00eb q\u00eb natyrisht nj\u00eb amator nuk mund t’i jap\u00eb p\u00ebrgjigje, por ama si njeri i kultur\u00ebs ne institucionin e bashkise Mirdite dhe i medias, m\u00eb duhej ta p\u00ebrcillja p\u00ebr tek \u201cmendjet e duhura\u201d. <\/strong>Ndaj biseda e par\u00eb ishte me prof. Shpend Bengu, drejtoresh\u00ebn Rajonale t\u00eb Kultur\u00ebs n\u00eb Shkod\u00ebr, Majlind\u00ebn <\/strong>dhe miq t\u00eb mij studiues Nduen dhe Bardhokun n\u00eb Mirdit\u00eb<\/strong>. M\u00eb pastaj ia ther\u00ebm rrug\u00ebs p\u00ebr Fan, me Altinin dhe Kolinin si dhe miqt\u00eb e mij gazetar\u00eb p\u00ebr ta par\u00eb at\u00eb nga af\u00ebr.
\n<\/strong>M\u00eb ka mahnitur m\u00ebnyra sesi \u00ebsht\u00eb shkruajtur mbi t\u00eb, por v\u00ebshtir\u00eb ta d\u00ebshifroja, ndaj \u00ebsht\u00eb i nevojsh\u00ebm specialisti i fush\u00ebs. Hamendjet e mija shkonin tek ato q\u00eb theksojn\u00eb studiuesit p\u00ebr prehistorin\u00eb.<\/p>\n

Mos jan\u00eb piktograme si ato t\u00eb Rubikut?!<\/strong><\/p>\n

E at\u00ebhere i referohesh profesor Dh. Shuteriqi, i cili pasi b\u00ebn p\u00ebrshkrimin e piktur\u00ebs, t\u00eb shoq\u00ebruar me dy foto dhe nj\u00eb skic\u00eb, arrin n\u00eb p\u00ebrfundimin se kemi t\u00eb b\u00ebjm\u00eb me dy simbole: kryqin, dometh\u00ebn\u00eb feja,<\/strong> dhe harkun dometh\u00ebn\u00eb lufta, t\u00eb cilat flasin p\u00ebr luft\u00ebn fetare q\u00eb b\u00ebhej midis kishave t\u00eb Per\u00ebndimit e t\u00eb Lindjes. Por ama para disa viteve shtimi n\u00eb m\u00ebnyr\u00eb t\u00eb ndjeshme i pikturave shk\u00ebmbore t\u00eb zbuluara n\u00eb Shqip\u00ebri e b\u00ebri t\u00eb nevojshme rishikimin e piktur\u00ebs shk\u00ebmbore t\u00eb Rubikut t\u00eb publikuar tre dekada m\u00eb par\u00eb, ndaj n\u00eb pranver\u00eb t\u00eb vitit 2007 u b\u00eb nj\u00eb dokumentacion i ri, v\u00ebzhgime t\u00eb holl\u00ebsishme,<\/strong> si edhe nj\u00eb s\u00ebr\u00eb krahasimesh me pikturat e tjera t\u00eb artit shk\u00ebmbor, t\u00eb cilat \u00e7uan n\u00eb nj\u00eb interpretim, n\u00eb nj\u00eb datim t\u00eb ri.<\/p>\n

Figurat e piktur\u00ebs s\u00eb Rubikut jan\u00eb b\u00ebr\u00eb me vija t\u00eb trasha 2-3 cm jo shum\u00eb uniforme, ku \u00ebsht\u00eb p\u00ebrdorur boj\u00eb e bardh\u00eb. M\u00eb mir\u00eb jane ruajtur 3 figura<\/strong>, kurse figurat e tjera jan\u00eb t\u00eb d\u00ebmtuara e mund t\u00eb plot\u00ebsohen mbi baz\u00ebn e gjurm\u00ebve q\u00eb kan\u00eb mbetur n\u00eb faqen e shk\u00ebmbit. Figurat antropomorfe t\u00eb shoq\u00ebruara me pika, si dhe figura n\u00eb form\u00eb rrethi me shum\u00eb t\u00eb ndara e pik\u00eb n\u00eb mes, e v\u00ebn\u00eb n\u00eb lidhje t\u00eb drejt\u00eb piktur\u00ebn e Rubikut me at\u00eb t\u00eb Lepenic\u00ebs<\/strong>, kurse rrath\u00ebt dhe kryqi, si simbole t\u00eb kultit t\u00eb diellit, jan\u00eb t\u00eb nj\u00ebjta me piktur\u00ebn e Bovill\u00ebs dhe me in\u00e7izimet e Re\u00e7it e t\u00eb Xibrit. Me k\u00ebta tregues piktura e Rubikut \u00ebsht\u00eb nj\u00eb krijim i epok\u00ebs prehistorike.
\nKa nj\u00eb tez\u00eb t\u00eb avancuar nga dr Shpend Bengu, duke sjell\u00eb metodat bashk\u00ebkohore n\u00eb nd\u00ebrtimin e gramatik\u00ebs s\u00eb imazheve piktografik\u00eb t\u00eb Artit Prehistorik. <\/strong><\/p>\n

Koha e realizimit t\u00eb piktogrameve dhe petroglifeve n\u00eb Guv\u00ebn e Rubikut mund t\u00eb jet\u00eb n\u00eb etapa t\u00eb ndryshme, q\u00eb i p\u00ebrket periudh\u00ebs s\u00eb kalimit nga Prehistoria n\u00eb Histori, 3500 vjet p.e.r., e cila p\u00ebrkon me dy shpikjet m\u00eb t\u00eb m\u00ebdha n\u00eb Historin\u00eb e Njer\u00ebzimit: shpikjen e Metalurgjis\u00eb dhe shpikjen e Shkrimit n\u00eb faz\u00ebn e tij pre-verbal,<\/strong> i cili i dha mund\u00ebsine njeriut p\u00ebr t\u00eb komunikuar me njer\u00ebzit e tjer\u00eb duke kaluar kufizimet e koh\u00ebs dhe t\u00eb hap\u00ebsir\u00ebs.<\/p>\n

Mir\u00ebpo, pikturat k\u00ebtu n\u00eb rras\u00ebn \u00eb Xhuxh\u00ebs, jan\u00eb me vija t\u00eb thelluara, por jo me boj\u00eb t\u00eb bardh\u00eb a ngjyr\u00eb tjet\u00ebr si gjetk\u00eb<\/strong>. Q\u00eb do t\u00eb thot\u00eb, mos jan\u00eb m\u00eb t\u00eb hershme se t\u00eb Rubikt a tjet\u00ebr!…<\/p>\n

“…Shk\u00ebmbinjt\u00eb e zgjedhur p\u00ebr realizimin e pikturave shk\u00ebmbore, thot\u00eb professor dr.Myzafer K\u00ebrkuti, gjenden n\u00eb af\u00ebrsi t\u00eb vendbanimeve, n\u00eb nj\u00eb distanc\u00eb q\u00eb mund t\u00eb shkohet n\u00eb rastet ceremoniale! Pra \u00e7fare ka ndodh n\u00eb k\u00ebt\u00eb \u201camfiteat\u00ebr gjigand natyror\u201d t\u00eb Fanit, me nj\u00eb shtrirje tejet t\u00eb madhe. \u00c7do t\u00eb thot\u00eb kjo n\u00eb lidhje me disa toponimi si \u201cRrethi i Qytez\u00ebs, Shpella e Batos apo gurra e lasht\u00eb e Domgjonit dhe Gradishta atje posht\u00eb etj etj!<\/strong> Q\u00eb kan\u00eb qendra t\u00eb banuara hersh\u00ebm kjo nuk ka pik\u00eb dyshimi, studiuesit e kan\u00eb th\u00ebn\u00eb fjal\u00ebn e tyre. Por ama gjetja e k\u00ebtyre imazheve shk\u00ebmbore, na shtyn shum\u00eb e shum\u00eb m\u00eb tej n\u00eb koh\u00eb!<\/p>\n

K\u00ebto cil\u00ebsi t\u00eb zgjedhjes s\u00eb vendit, t\u00eb pozicionit t\u00eb shk\u00ebmbit e t\u00eb vet\u00eb faqes apo streh\u00ebs ku njeriu prehistorik ka realizuar vepr\u00ebn e artit, nuk jan\u00eb t\u00eb rast\u00ebsishme, po rezultat i nj\u00eb njohje t\u00eb plot\u00eb t\u00eb thell\u00eb t\u00eb mjedisit q\u00eb e rrethonte. Duke zgjedhur ato shk\u00ebmbinj q\u00eb ve\u00e7oheshin nga t\u00eb tjer\u00ebt p\u00ebr madh\u00ebshtin\u00eb natyrore, ai ka ditur t\u00eb krijoj\u00eb nj\u00eb raport me madh\u00ebshtin\u00eb e forc\u00ebn e tyre.<\/strong> Aty ato jan\u00eb b\u00ebr\u00eb si faqet e librit, biblioteka tempuj e hapur, ku n\u00eb m\u00ebnyr\u00eb t\u00eb sintetizuar e t\u0451 abstraguar, njeriu prehistorik arriti t\u00eb fiksoj\u00eb e t\u00eb p\u00ebrjet\u00ebsoj\u00eb n\u00eb faqet e shk\u00ebmbinjve konceptet mistiko-religjioze, t\u00eb flas\u00eb me gjuh\u00ebn e artit monumental me piktograme e ideograme).
\nN\u00eb p\u00ebrmbajtje, n\u00eb motivet e mjetet shpreh\u00ebse, n\u00eb ideogramet, veprat e artit shk\u00ebmbor t\u00eb epok\u00ebs s\u00eb holocenit jan\u00eb t\u00eb nj\u00ebjta ose mjaft t\u00eb p\u00ebraf\u00ebrta. K\u00ebshtu, rrethi me kat\u00ebr a m\u00eb shum\u00eb rreze \u00ebsht\u00eb ideogrami kryesor q\u00eb i bashkon, ai \u00ebsht\u00eb i pranish\u00ebm n\u00eb Rubik, n\u00eb Re\u00e7, n\u00eb Xib\u00ebr, n\u00eb Bovill\u00eb. I till\u00eb \u00ebsht\u00eb edhe motivi i kryqit, i realizuar n\u00eb p\u00ebrmasa t\u00eb ndryshme n\u00eb Re\u00e7, n\u00eb Xib\u00ebr e n\u0451 Rubik<\/strong>.
\nFigura antropomorfe q\u0451 z\u00eb nj\u00eb vend qendror n\u00eb piktur\u00ebn e Lepenic\u00ebs, \u00ebsht\u00eb kryesore edhe n\u00eb pikturat e Rubikut dhe pjes\u00ebrisht n\u00eb m\u00ebnyr\u00eb t\u00eb zbeht\u00eb n\u00eb incizimin e Re\u00e7it. P\u00ebrdorimi i pikave n\u00eb plot\u00ebsim t\u00eb figurave \u00ebsht\u00eb piktogrami q\u00eb e ndeshim n\u00eb Lepenic\u00eb e Rubik.<\/p>\n

Figurat e shrregullta gjeometrike jan\u00eb piktograme q\u00eb v\u0451n\u00eb n\u00eb lidhje t\u00eb drejtp\u00ebrdrejt\u00eb Lepenic\u00ebn me Rubikun dhe me Re\u00e7in. <\/strong>Shenja t\u00eb k\u00ebtij piktogrami ka edhe n\u00eb Re\u00e7. Ideograme t\u00eb ve\u00e7anta ka piktura e Vlashnjes, me motivin e spirales apo t\u00eb spirales dyfishe.<\/p>\n

Prezenca e figurave zoomorfe \u00ebsht\u00eb n\u00eb paraqitjen e drerit n\u00eb Vlashnje dhe n\u00eb Tren.
\nN\u00eb realizimin e veprave t\u00eb artit shk\u00ebmbor jan\u00eb p\u00ebrdorur dy teknika, ajo e pikturimit me boj\u00eb t\u00eb kuqe (Lepenic\u00eb-Vlashnje) e boj\u00eb t\u00eb bardh\u00eb (Rubik, Bovill\u00eb, Tren) dhe teknika e incizimit e p\u00ebrdorur n\u00eb Re\u00e7 e Xib\u00ebr.<\/strong><\/p>\n

Midis shtat\u00eb realizimeve t\u00eb artit shk\u00ebmbor ka edhe ve\u00e7anti q\u00eb shprehen n\u00eb konceptimin e p\u00ebrmbajtjes dhe n\u00eb cil\u00ebsin\u00eb e realizimit. K\u00ebshtu, piktura e Lepenic\u00ebs ve\u00e7ohet p\u00ebr karakterin kompleks e monumental t\u00eb saj dhe p\u00ebr mjesht\u00ebri n\u00eb realizim. Edhe piktura e Rubikut, me pak motive, ka nj\u00eb p\u00ebrmbajtje t\u00eb thell\u00eb. Vizatimi i Re\u00e7it jo vet\u00ebm p\u00ebr nga numri i madh i motiveve por edhe nga zgjidhja kompoziocionale vendosja e figurave n\u00eb grupe ka t\u0451 ve\u00e7antat e veta. Piktura e Vlashnjes ka t\u00eb ve\u00e7ant\u00eb uniformitetin e simbolit t\u00eb spirales t\u00eb b\u00ebr\u00eb n\u00eb p\u00ebrmasa monumentale e cil\u00ebsore, q\u00eb nuk i ndeshim as n\u00eb nj\u00eb nga pikturat e tjera.
\nPiktura e Trenit ve\u00e7ohet nga t\u00eb gjasht\u00eb pikturat e tjera<\/strong>, sepse \u00ebsht\u00eb nj\u00eb kompozim, nj\u00eb sken\u00eb e plot\u00eb gjuetie me figura reale, kalor\u00ebsit me qent\u00eb, q\u00eb ndjekim drerin. Si e till\u00eb ajo p\u00ebrfaq\u00ebson faz\u00ebn m\u00eb t\u00eb zhvilluar t\u00eb artit prehistorik t\u00eb realizuar brenda kritereve q\u00eb k\u00ebrkonte b\u00ebrja e nj\u00eb vepre t\u00eb artit shk\u00ebmbor.<\/p>\n

P\u00ebr t\u00eb kuptuar e interpretuar m\u00eb mir\u00eb dhe p\u00ebr t\u00eb datuar artin shk\u00ebmbor t\u00eb vendit ton\u00eb, na vijn\u00eb n\u00eb ndihm\u00eb elementet e p\u00ebrbashk\u00ebta q\u00eb vihen re, t\u00eb pranishme edhe n\u00eb artin shk\u00ebmbor t\u00eb vendeve t\u00eb tjera. Gjeografikisht m\u00eb af\u00ebr \u00ebsht\u00eb piktura e Lipcit, po jo vet\u00ebm kaq. Af\u00ebrit\u00eb p\u0451rkojn\u0451 n\u00eb zgjedhjen e vendit (shk\u00ebmbit) p\u00ebr pikturim, n\u00eb paraqitjen e figurave n\u00eb siluet\u00eb (dreri), <\/strong>n\u00eb pranin\u00eb e figurave gjeometrike etj., si dhe n\u00eb realizimin me t\u00eb nj\u00ebjt\u00ebn boj\u00eb t\u00eb bardh\u00eb.<\/p>\n

M\u00eb n\u00eb veri, n\u00eb Bosnj\u0451n Per\u00ebndimore \u00ebsht\u00eb piktura e Zlijebit, gjithashtu e konceptuar e realizuar me t\u00eb nj\u00ebjt\u00ebt parametra. Esht\u00eb b\u00ebr\u00eb n\u00eb faqen e nj\u00eb shk\u00ebmbi ku shkohet me v\u00ebshtir\u00ebsi e q\u00eb ka n\u00eb p\u00ebrmbajtje figura t\u00eb nj\u00ebjta antropomorfe si Lepenica, t\u00eb kombinuara me ideograme dhe t\u00eb b\u00ebra me boj\u00eb t\u00eb bardh\u00eb. N\u00eb territorin tjet\u00ebr t\u00eb Ballkanit (p\u00ebr aq sa e njohim) figurat antropomorfe t\u00eb Lepenic\u00ebs e Rubikut kan\u00eb analogji vet\u00ebm me figurat antropomorfe t\u00eb Tsoga-rit n\u00eb Maqedonin\u00eb greke.
\nMe vler\u00eb t\u00eb ve\u00e7ant\u00eb jan\u00eb padyshim ngjashm\u00ebrit\u00eb me artin shk\u00ebmbor t\u00eb Valcamonica n\u00eb Italin\u00eb e Veriut, ku gjat\u00eb epok\u00ebs s\u00eb neolitit, eneolitit, bronzit e hekurit, lindi, u zhvillua e lul\u00ebzoi nj\u00eb art shk\u00ebmbor i p\u00ebrfaq\u00ebsuar nga dhjet\u0451ra e mij\u00ebra motive e figura t\u00eb thjeshta e t\u00eb kompozuara, me skena nga m\u00eb t\u00eb ndryshmet. Dhe n\u00eb k\u00ebt\u00eb shum\u00ebsi ideogramesh e piktogramesh t\u00eb artit t\u00eb Valcamonica gjejn\u00eb simotrat e tyre motivet e figurat e artit ton\u00eb shk\u00ebmbor si figurat antropomorfe<\/strong>, figurat gjeometrike me shum\u00eb ndarje, p\u00ebrdorimi i simbolit t\u00eb pik\u00ebs, kryqi me krah\u00eb t\u00eb barabart\u00eb, rrethi me shum\u00eb rreze, motivi i spirales dhe figura zoomorfe, si dreri dhe kali. T\u00ebr\u00ebsia e k\u00ebtyre ngjashm\u00ebrive \u00ebsht\u00eb shprehje e koncepteve mistiko-religjioze t\u00eb p\u00ebrbashk\u00ebta, d\u00ebshmi e stadit t\u00eb nj\u00ebjt\u00eb t\u00eb zhvillimit shoq\u00ebror.
\nPiktura e Lepenic\u00ebs, e Rubikut, e Bovill\u00ebs, e Trenit, e Vlashnjes, incizimi i Re\u00e7it e i Xibrit, si edhe piktura e Lipcit dhe ajo e Zhlijebit karakterizohen nga nj\u00eb tog elementesh t\u00eb p\u00ebrbashk\u00ebta, jan\u00eb vepra t\u00eb artit shk\u00ebmbor t\u00eb b\u00ebra n\u00eb kufirin kohor nga mij\u00ebvje\u00e7ari i kat\u00ebrt n\u00eb mij\u00ebvje\u00e7arin e par\u00eb p.e.re. N\u00eb v\u00ebshtrimin gjeografik t\u00eb koh\u00ebs antike, ato i takojn\u00eb territorit t\u00eb Iliris\u00eb s\u00eb Jugut….”\u00a0<\/strong><\/p>\n

K\u00ebto i thekson prof.dr. Myzafer K\u00ebrkuti n\u00eb studimet e tij p\u00ebr imazhet shk\u00ebmbore. Dhe vazhdon m\u00eb tej: Arti prehistorik, n\u00eb t\u00eb gjith\u00eb format e tij q\u00eb ka mundur t\u00eb mb\u0451rrij\u00eb deri n\u00eb dit\u00ebt tona \u00ebsht\u00eb pjes\u0451 e memories s\u0451 popujve, e banor\u00ebve prehistorik\u0451, \u00ebsht\u00eb pjes\u00eb e evolucionit t\u00eb shoq\u00ebris\u00eb njer\u00ebzore. Ai ashtu su edhe \u201cmuzika prehistorike (tingujt e harmonizuar) e ekzekutuar n\u00eb fillim me gur\u00eb e pllaka guri, me guacka, me brir\u00eb, kocka a drur\u00eb t\u00eb p\u00ebrpunuar, kan\u00eb qen\u00eb faktor\u00eb transfromues t\u00eb shoq\u00ebris\u00eb. Arti dhe \u201cmuzika prehistorike\u201d b\u00ebjn\u00eb pjes\u00eb n\u00eb rr\u00ebnj\u00ebt e qytet\u00ebrimit, jan\u00eb kapital intelektual i njer\u00ebzimit. Arti nuk fillon n\u00eb epok\u00ebn klasike po shum\u00eb m\u00eb her\u00ebt. N\u00eb Afrik\u00eb e Australi arti shk\u00ebmbor i ka fillimet 50000-40000 vjet m\u00eb par\u00eb, n\u00eb Europ\u00eb (Franc\u00eb, Spanj\u00eb) <\/strong>ai fillon rreth 30000 vjet m\u00eb par\u00eb me kultur\u00ebn Aringacien e Magdalenien, kurse n\u00eb Itali fillimet e k\u0451tij arti i takojn\u00eb periudh\u00ebs 12000-10000<\/strong> vjet m\u00eb par\u00eb me artin shk\u00ebmbor n\u00eb Valcamonika (Italia e Veriut). N\u00eb Shqip\u00ebri, sot p\u00ebr sot, vepr\u00ebn m\u00eb t\u00eb hershme t\u00eb artit shk\u00ebmbor kemi piktur\u00ebn e Lepenic\u00ebs, q\u00eb i takon epok\u00ebs s\u00eb neolitit t\u00eb von\u00eb dhe eneolitit (af\u00ebrsisht 3500-2500 p.e.re). Nd\u00ebrkoh\u00eb q\u00eb prof.Shpend bengu, artin shk\u00ebmbor n\u00eb Rubik e daton para 3500 viteve.<\/p>\n

At\u00ebhere, p\u00ebr Xhuxh\u00ebn, sa t\u00eb p\u00ebrbashk\u00ebta ka n\u00eb mes gjith\u00eb k\u00ebtyre detajeve?!
\nNuk mund t\u00eb them asgj\u00eb, si person<\/strong> jast\u00eb fush\u00ebs por me epjen e fort\u00eb p\u00ebr ta dashur fort historin\u00eb e t\u00eb par\u00ebve, qoft\u00eb dhe t\u00eb par\u00ebt prehistorik\u00eb, uroj t\u00eb jet\u00eb nj\u00eb gjetje historike p\u00ebr Mirdit\u00ebn dhe Trash\u00ebgimin\u00eb Kulturore Komb\u00ebtare…<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

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