{"id":18775,"date":"2025-01-13T17:47:25","date_gmt":"2025-01-13T17:47:25","guid":{"rendered":"https:\/\/pirustinews.com\/?p=18775"},"modified":"2025-01-13T17:49:27","modified_gmt":"2025-01-13T17:49:27","slug":"18775","status":"publish","type":"post","link":"https:\/\/pirustinews.com\/?p=18775","title":{"rendered":"Livia (Roman – I) i Mark Pashkut apo trinia identitare Familje\u2013 Komb apo Vet\u00ebdija Nacionale dhe liria e munguar e individit shkak pasoj\u00eb e indoktrinimit dhe karrierizmit t\u00eb verbuar"},"content":{"rendered":"

Shkruan : Vilson Culaj<\/strong>
\n\"\"Sapo mbarova s\u00eb lexuari romanin e Mark Pashkut \u201cLIVIA\u201d befas m\u00eb erdhi n\u00eb kujtes\u00eb nj\u00eb refleksion i imi i vitit 2020 p\u00ebr let\u00ebrsin\u00eb ku qesh\u00eb shprehur:<\/strong>
\n\u201cLet\u00ebrsia \u00ebsht\u00eb dhunti, intuit\u00eb, paralindje, e prekje hyjnore, jo si shkenca, q\u00eb 2 + 2 b\u00ebjn\u00eb 4. aty \u00ebsht\u00eb e derdhur e t\u00ebr\u00eb dija e paraardh\u00ebsve tan\u00eb, jo si studimi q\u00eb 565mund t\u00eb fitohet n\u00eb cekt\u00ebsin\u00eb e nj\u00eb brezi.<\/strong> let\u00ebrsia nuk \u00ebsht\u00eb pasion por nj\u00eb mision i lart\u00ebsive p\u00ebr zemrat e njer\u00ebzve q\u00eb n\u00eb vete ushqejn\u00eb frym\u00ebn humane. teolog\u00ebt dhe filozof\u00ebt mbesin t\u00eb akullt para saj, n\u00ebse shpirti q\u00eb shkruan brenda vet\u00ebs mbart fijet e frym\u00ebs hyjnore…\u201d 2020<\/strong><\/em>
\nKur fillon s\u00eb lexuari romanin me titull kaq mbres\u00ebl\u00ebn\u00ebs \u201cLIVIA\u201d t\u00eb autorit Mark Pashku \u2013 Luc\u00eb Gjonaj t\u00eb krijohet p\u00ebrshtypja se kemi t\u00eb b\u00ebjm\u00eb me nj\u00eb kronikan apo Egzeget i cili q\u00eb moti ka hequr dor\u00eb nga \u201cQyteti i Tij\u201d por bot\u00ebn e kujtes\u00ebn e mban me vete ku nga kodrina e frym\u00ebzimeve personale, subkoshienc\u00ebs kolektive e nacionale reflekton p\u00ebr fenomene qiellore e tok\u00ebsore me fokus identitetin nacional, kulturor e familjar, zhytur n\u00eb kurthet e postmodernes, hedonizmit, e konsumizmit, lavdive t\u00eb rreme, karrierizmit e keqkuptimit e deri n\u00eb kufinjt\u00eb e absurdit e gnostik\u00ebs mistike.<\/strong>
\nRomani n\u00eb fjal\u00eb \u00ebsht\u00eb nj\u00eb zb\u00ebrthim eskatologjik lidhur me shpirtin e lirin\u00eb njer\u00ebzore, por edhe diskurs i thell\u00eb filozofiko-letrar p\u00ebr dualizmin, kurthet e jet\u00ebs n\u00eb bashk\u00ebshort\u00ebsi, karakteret njer\u00ebzore, orientimin seksual, indiferentizmin, karrierizmin, harres\u00ebn kolektive dhe pasojat q\u00eb sjell bota postmoderne. Pik\u00ebrisht n\u00eb k\u00ebt\u00eb fokus letrar z\u00eb fill edhe trajtesa letraro psikologjike e autorit Pashku, i cili si njoh\u00ebs i mir\u00eb i tradit\u00ebs dhe postmodernes vihet n\u00eb veprim q\u00eb me mjete shpreh\u00ebse letrare t\u00eb reflektoj p\u00ebr b\u00ebrtham\u00ebn apo qeliz\u00ebn e jet\u00ebs shoq\u00ebrore, pra familjes.<\/strong>
\nVendosja e Lek\u00eb Bardhit n\u00eb fokus t\u00eb rr\u00ebfimit modern dhe Aleks Jungut si fije e zgjatur e historis\u00eb s\u00eb perbashk\u00ebt klasike Evropiano \u2013 Arb\u00ebrore jan\u00eb dy dimensione t\u00eb arrira dhe mjesht\u00ebri letrare p\u00ebr ta p\u00ebrplot\u00ebsuar m\u00eb tej rr\u00ebfimin romanor me elemente t\u00eb tjera etnopsikologjike dhe t\u00eb dilemave jet\u00ebsore n\u00eb familje.<\/strong>
\nArteria letrare z\u00eb fill me qytetin mesjetar t\u00eb Shasit duke reflektuar p\u00ebr humbjet e m\u00ebdha Arb\u00ebrore n\u00eb koh\u00eb e hap\u00ebsir\u00eb p\u00ebr t\u2019a ri-dimensionuar e orientuar m\u00eb pas rr\u00ebfimin te familja gjegj\u00ebsisht dy kryepersonazhet baz\u00eb t\u00eb k\u00ebtij romani mbres\u00ebl\u00ebn\u00ebs Lek\u00eb Bardhi dhe Livia t\u00eb cil\u00ebt bartin n\u00eb vete barr\u00ebn, bekimet e mallkimet e shekujve mbi vete pik\u00ebrisht nga liria e veprimit, pasionet, iluzionet dhe \u00ebndrrat vegimtare.
\nAutori p\u00ebrmes personazhes hera her\u00ebs mistik, hera her\u00ebs si orakuj konkret q\u00eb n\u00eb fillim jep shenj\u00ebn e ngre z\u00ebrin se, Perandoria e vdekjes po l\u00ebshon rr\u00ebnj\u00eb n\u00eb mes jush \u2013 nesh dhe se frika e pushteteve po tjet\u00ebrson njeriun e sotsh\u00ebm q\u00eb me shekuj i rezistoi dhun\u00ebs e ideologjive t\u00eb ndryshme. \u00cbsht\u00eb karakteristik\u00eb e semiotik\u00eb e mendjeve t\u00eb ndritura q\u00eb t\u00eb kap\u00ebrthejn\u00eb e nd\u00ebrthurin k\u00ebso lloj situatash e kronikash sepse n\u00eb palc\u00ebn e rr\u00ebfimit duhet t\u00eb ekzistoj nj\u00eb dije, subjekt konkret letrar, njohje e p\u00ebrjetim sublim, p\u00ebrndryshe t\u00eb p\u00ebrjetuarit e t\u00eb shkruarit letrar shnd\u00ebrrohet n\u00eb nj\u00eb kronik\u00eb t\u00eb thjesht\u00eb, t\u00eb zbraz\u00ebt, inerte e pa mesazh drit\u00eblarg\u00ebt . Autori Pashku i ka krijuar vetes profilin e nj\u00eb romancieri t\u00eb p\u00ebrndritur e intuitiv, i cili nuhat edhe arritjen e ,, anijeve me vela t\u00eb zeza \u2018\u2019 n\u00eb ambientin shqiptar.<\/strong>
\nSubjektet letrare jan\u00eb t\u00eb vendosur n\u00eb ambientin e shqiptar\u00ebve t\u00eb Malit t\u00eb Zi, gjegj\u00ebsisht n\u00eb Mal\u00ebsi p\u00ebr ta zgjeruar m\u00eb pas gam\u00ebn e rr\u00ebfimit n\u00eb dimensione tjera ekzistenciale, tradicionale, moderne, e t\u00eb sfid\u00ebs deri n\u00eb kufinjt\u00eb e tjet\u00ebrsimit e rr\u00ebnimit t\u00eb familjes. \u00cbsht\u00eb p\u00ebrplasja e unit t\u00eb njeriut tradicional n\u00eb luft\u00eb me modelin e t\u00eb jetuarit lindor e per\u00ebndimor, hipokrizis\u00eb njer\u00ebzore, karrierizmit e patriotizmit t\u00eb shpifur , kund\u00ebrshtis\u00eb e rob\u00ebris\u00eb ideologjike, p\u00ebrball\u00eb receptimit t\u00eb modernes, \u00e7\u2019thurjes e \u00ebnd\u00ebrrimit iluzionist p\u00ebr t\u2019i ngritur vetes lavdin\u00eb e kultin pagan.
\nKy roman sfidon miopin\u00eb kulturore e komb\u00ebtare ku politikat e rrymat e reja instalojn\u00eb modele lajthit\u00ebse q\u00eb rr\u00ebnojn\u00eb individin, familjen dhe orientimin apo vazhdim\u00ebsin\u00eb e tradit\u00ebs familjare dhe asaj q\u00eb i thon\u00eb ekzistenc\u00eb e dinjitetshme. K\u00ebto l\u00ebvizje e instalime retrogard\u00eb ngre z\u00ebrin autori Pashku jan\u00eb shkak e pasoj\u00eb e nj\u00eb zh\u2019b\u00ebrje t\u00eb heshtur t\u00eb elementit komb\u00ebtar e tradicional, ku n\u00eb fokus \u00ebsht\u00eb rrezikimi i familjes, unit njer\u00ebzor, harmonis\u00eb familjare, sensit t\u00eb dashuris\u00eb, dhe unifikimit e mbijetes\u00ebs nacionale. T\u00eb arratisur nga liria dhe vetja e tyre i pandeh mesazhi romanor i autorit Pashku i cili si nj\u00eb detektues i shenjave t\u00eb koh\u00ebrave e vlerave sublime nuhat shembjen dhe zhvezhjen nga e kaluara dhe tradita q\u00eb i mbizot\u00ebroj e mbijetoj shekujt.
\nMu n\u00eb pirgun e k\u00ebsaj gjendjeje t\u00eb kriz\u00ebs shpirt\u00ebrore, liris\u00eb e orientimit nacional z\u00eb fill edhe shtjellimi i k\u00ebtij romani i cili ka n\u00eb fokus jet\u00ebn bashk\u00ebshortore t\u00eb dy t\u00eb rinj\u00ebve q\u00eb u rrit\u00ebn n\u00eb kurthet e k\u00ebsaj ideologjie ku si nj\u00eb zjarr ferri diti t\u2019ua rr\u00ebmbej lumturin\u00eb e krijuar nd\u00ebr duar e n\u00eb m\u00ebnyr\u00eb tin\u00ebzare. Livia e romanit t\u00eb Pashkut \u00ebsht\u00eb kutia e Pantores n\u00eb k\u00ebt\u00eb rr\u00ebfim e trajtes\u00eb letrare. Ajo katapulton situata familjare sa groteske po aq tragjike n\u00eb familje, ku si pasoj\u00eb e nj\u00eb funksioni shtet\u00ebror, indoktrinimit t\u00eb saj, dhe pasioneve t\u00eb saja iluzioniste investon verb\u00ebrisht n\u00eb disharmonin\u00eb e familjes edhe pse n\u00eb parim nj\u00eb grua psikologe me profesionin, e integruar dhe pasionante ndaj piktur\u00ebs e artit. Ky cen jet\u00ebsor kishte krijuar pasoja edhe per Luanin, birin e saj dhe t\u00eb Lek\u00eb Bardhit, i cili vrrag\u00ebn psikologjike e kishte bartur me vete. Pun\u00eb e re, pasion i ri , e \u00ebnd\u00ebrr e re e kishte pushtuar gruan e re prej se fuqia e pushtetit e paras\u00eb kishte filluar t\u2019ia rob\u00ebronte lirin\u00eb dhe p\u00ebrkushtimin familjar.<\/strong>
\nNj\u00eb dashuri ideale po k\u00ebrc\u00ebnohej nga pasioni, kok\u00ebfort\u00ebsia, ftoht\u00ebsia shpirt\u00ebrore e emocionale, v\u00ebndimi e \u00ebndrra e arratisjes nga liria pa fre e cila nj\u00eb familje e kishte ndar\u00eb n\u00eb dysh.<\/strong> K\u00ebtu z\u00eb fill edhe drama mes Lek\u00ebs e Livias por m\u00eb tep\u00ebr n\u00eb mes t\u00eb f\u00ebmij\u00ebve ku Arlina vendosi t\u00eb jetonte me babain e saj, kurse Hera dhe Luani me n\u00ebn\u00ebn e cila me kuror\u00ebn e etjes p\u00ebr lavdi ishte arratisur nga harmonia e misioni i saj i shenjt\u00eb i nj\u00eb n\u00ebne mal\u00ebsore.
\nAjo ushqehej me iluzionin e pasionin e saj ,, un\u00eb dua t\u00eb jem e lir\u00eb \u2018\u2019 dhe ,, jam rritur n\u00eb karrier\u00eb \u2018\u2019 emri im po vler\u00ebsohet n\u00eb shtet madje edhe m\u00eb lart\u00eb, andaj m\u00eb nevojitet heqja e ,, prangave \u2018\u2019. K\u00ebtu z\u00eb fill edhe drama shpirt\u00ebrore e nj\u00eb burri fisnik, por pasionat i Lek\u00eb Bardhit i cili ngre dilem\u00ebn ,, t\u00eb rrosh apo t\u00eb mos rrosh brenda liris\u00eb t\u00ebnde \u2018\u2019 si nj\u00eb lloj ngush\u00ebllimi e emigracioni shpirt\u00ebror q\u00eb nuk e pranon kurr\u00eb disfat\u00ebn n\u00eb jet\u00eb. Ai personifikohet si nj\u00eb burr\u00eb i p\u00ebrgjegjsh\u00ebm e i nd\u00ebrgjegjshem p\u00ebr familjen, pasionant ndaj tradit\u00ebs, historis\u00eb, e arkeologjis\u00eb, sakrifikues e me rr\u00ebnj\u00eb tradicionale, besnik e stoik n\u00eb dashuri, tolerant e shpres\u00eb – ngurt\u00ebsuar, por edhe i lir\u00eb e kurreshtar p\u00ebr jet\u00ebn dhe bot\u00ebn. N\u00eb kurthin e k\u00ebtij vakumi ekzistencial, dilemash e melankolish, do t\u00eb zhvillohen edhe shum\u00eb ngjarje p\u00ebrbrenda personazheve familjare t\u00eb k\u00ebtij romani ku prapa perdes s\u00eb iluzionit, fam\u00ebs, pasioneve e rr\u00ebshqitjeve n\u00eb jet\u00eb krijohet harta e dhimbjeve, pritjes, e mallkimeve t\u00eb heshtura. Dikush kishte harruar misionin e saj, reflekton autori i k\u00ebtij romani, dikush shpresonte , kurse dikush tjet\u00ebr priste me mall bashkimin familjar. Ikjet jan\u00eb t\u00eb pabesa kurse kthimi i lumtur n\u00eb t\u00eb gjith\u00eb k\u00ebta kapituj t\u00eb rr\u00ebfimit. Nj\u00eb grua \u00ebnd\u00ebrrimtare krijon karrier\u00eb pas ikjes s\u00eb saj duke pikturuar n\u00eb atelet\u00eb e bot\u00ebs kurse nj\u00eb burr\u00eb mundohet t\u00eb mbijetoj emocionalisht lidhur p\u00ebr rr\u00ebnj\u00ebt e tradit\u00ebs. F\u00ebmij\u00ebt kan\u00eb em\u00ebr prind\u00ebrish por rriten pa prind\u00ebr dhe t\u00eb \u00e7\u2019thurur e t\u00eb v\u00ebn\u00eb aksidentalisht n\u00eb duart e huaja.
\nP\u00ebrdorimi i figuracionit meta \u2013 mesazhor si satira e dyzuar orveliane ironia, paradoksi, komikja, dhe e deformuara vetvetiu shp\u00ebrfaqin unin dhe universin origjinal letrar dhe t\u00eb njohjes s\u00eb autorit. Pashku, i cili si nj\u00eb detektues e kronikan koh\u00ebrash krijon let\u00ebrsi moderne.
\nJeta e Lek\u00eb Bardhit e zhvilluar p\u00ebrbrenda arealit kulturor t\u00eb vendlindjes e tradites \u00ebsht\u00eb e p\u00ebrmbushur por edhe e st\u00ebrmbushur me personazhe lokale si edhe ato t\u00eb sfer\u00ebs s\u00eb bot\u00ebs s\u00eb jashtme ku nderthuret kultura autoktone, regjimi ideologjik, elementi i jasht\u00ebm qofshin ata italian apo austriak, komunist, mitologjia, arkeologjia e kaluara dhe e tanishmja hidhet e n\u00eb pritje.
\nPersonazhet si drejtori i shkoll\u00ebs, Frani, Aliu, dranja, personeli i spitalit, Ahmedi, Lembi, Selimi, Ishaku, lokacioni i Holt\u00ebs, ahu i vjet\u00ebr, varrezat, kompanit\u00eb e huaja, Rasim Bitidosi, Orinela, Lenati, profesor Luigji, jan\u00eb p\u00ebrmbushje e pasurim, intec\u00ebs letrare e autorit Pashku i cili si nj\u00eb mjesht\u00ebr i mir\u00eb i rr\u00ebfimit e p\u00ebrthellimit psikologjik di t\u00eb reflektoj edhe p\u00ebr pjes\u00ebt m\u00eb intime t\u00eb evoluimit kulturor, personal e etnik si dhe t\u00eb individit e shoq\u00ebris\u00eb n\u00eb kriz\u00eb.<\/strong>
\nPritja \u00ebsht\u00eb shum\u00eb e m\u00ebrzitshme por frutat i ka t\u00eb \u00ebmbla do thoshte prap Shekspiri. Lek\u00eb Bardhi na del si nj\u00eb personazh stoik, k\u00ebmb\u00ebngul\u00ebs, i ndjesh\u00ebm, familjar i mir\u00eb, dashnor i kulluar por edhe nj\u00eb shpirt q\u00eb di t\u00eb fal e p\u00ebrbetohet se kurr\u00eb nuk di t\u00eb heqi dor\u00eb nga gruaja dhe f\u00ebmij\u00ebt e tij. Ai \u00ebsht\u00eb shnd\u00ebrruar n\u00eb person n\u00eb k\u00ebrkim e pritje duke luftuar me unin e lirin\u00eb e tij t\u00eb cunguar e tragjike.
\nArti letrar i Mark Pashkut sjell mendime t\u00eb st\u00ebrholluara e p\u00ebrpunuara ku reflektohet p\u00ebr ndri\u00e7imin e ndjenjave por n\u00eb disa raste fshihen ose i n\u00ebnshtrohen nj\u00eb rr\u00ebfimi sqarues. Tematika e k\u00ebtij romani ka poetik\u00eb t\u00eb nd\u00ebrtuar p\u00ebrmes sekuencave letrare provokuese, ka shtresime t\u00eb nduarndyrshme estetike e artistike, me shqiptim modern.
\nN\u00eb kthes\u00ebn e madhe t\u00eb jet\u00ebs, Lek\u00eb Bardhi p\u00ebrmes nj\u00eb telefonate me Livian, kupton se ajo jetonte n\u00eb Bukuresht dhe se po pikturonte me intezitet t\u00eb shtuar. Aty kishte n\u00ebnkuptuar edhe orientimin e saj seksual, iluzionet dhe shkaqet e asaj ndarjeje. Takimi n\u00eb qytetin e Dubrovnikut me rastin e hapjes se nj\u00eb ekspozite t\u00eb saj personale hap pirgun e nj\u00eb drame familjare, hap edhe nj\u00eb kapitull t\u00eb ri t\u00eb dram\u00ebs n\u00eb dashuri ku piktorja ,, e famshme \u2018\u2019 kishte ikur e ftohur edhe nj\u00eb hap m\u00eb tej nga dashuria e dikurshme e saj. Ajo kishte p\u00ebrqafuar fam\u00ebn e iluzionin por jo lirin\u00eb e dashurin\u00eb e plot\u00eb. Lek\u00eb Bardhi ishte pran\u00eb ish gruas e f\u00ebmij\u00ebve por n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb i huaj n\u00eb familjen e tij. Shfaqja ishin ata, kurse Leka personazhi tragjik i bot\u00ebs postmoderne.
\nAs ringjallja e dit\u00ebs s\u00eb Pashk\u00ebve p\u00ebr ta nuk u b\u00eb akt bashkimi e ngush\u00ebllimi. Dikush po num\u00ebronte plag\u00eb kurse dikush tjet\u00ebr thithte e p\u00ebrfitonte fam\u00eb e lavdi t\u00eb rrejshme. N\u00eb vazhd\u00ebn e k\u00ebsaj tragjedie personale edhe varret m\u00eb nuk kan\u00eb gjurm\u00eb. E huja ka nd\u00ebrhyr\u00eb tin\u00ebzisht n\u00eb palq\u00ebn e nj\u00eb populli q\u00eb gjithmon\u00eb refuzoi t\u00eb huaj\u00ebn.<\/strong> Modernitet, perversitet, incest e fam\u00eb p\u00ebrplot\u00ebsuar me ideologji, nd\u00ebrp\u00ebrfytyron rr\u00ebfimtari i talentuar Mark Pashku. Ai \u00ebsht\u00eb detektues i s\u00eb keq\u00ebs kolektive por edhe asaj personale. N\u00eb pirgun e tradit\u00ebs q\u00eb nuk zhg\u00ebnjen kurr\u00eb, ai ka shkruar nj\u00eb roman postmodern q\u00eb ngre alarmin e vet\u00ebdij\u00ebsimit p\u00ebr rr\u00ebshqitjet tona oportuniste var\u00ebsisht nga diktaturat dhe ideologjit\u00eb e huaja. Rr\u00ebfimi n\u00eb k\u00ebt\u00eb roman \u00ebsht\u00eb simbioz apo prototip i nj\u00eb th\u00ebnie t\u00eb Papa Gjon Palit II ,, FAMILJE E SHENJT\u00cb, KOMB I SHENJT\u00cb \u2018\u2019 si duket k\u00ebt\u00eb gjakim letrar, kulturor, etnik e psikologjik e ka synuar edhe ky mjesht\u00ebr i romanit modern shqiptar.
\nKy roman rr\u00ebfen p\u00ebr hakmarrjet , vet\u00ebrr\u00ebnimet, kaoset shpirt\u00ebrore, e ideologjike, hierarkin\u00eb ushtarake p\u00ebrzier me z\u00ebrat e daullet e miopin\u00eb e shekujve t\u00eb err\u00ebt dhe krizat identitare.
\nFabula zhvillohet n\u00eb nj\u00eb hap\u00ebsir\u00eb t\u00eb mbyllur q\u00eb bazohet n\u00eb funksionimin e shenjave intime egoiste. Autori zbulon paragjykimet, dhimbjet, fatkeq\u00ebsit\u00eb e nj\u00eb shoq\u00ebrie q\u00eb jan\u00eb tekste t\u00eb shkruara me nj\u00eb stil unik t\u00eb cilat krijojn\u00eb vlera t\u00eb larta ideo – artistike t\u00eb krijuesit Pashku duke marr\u00eb k\u00ebshtu funksion psikologjik.
\nN\u00eb mozaikun e rr\u00ebfimit romanor shteg\u00ebtojn\u00eb nj\u00eb galeri personazhezh t\u00eb nj\u00eb jete urbane n\u00eb nj\u00eb koh\u00eb t\u00eb sotme, por q\u00eb n\u00eb k\u00ebt\u00eb urbaniz\u00ebm e kaos jet\u00ebsor disa nga personazhet sillen n\u00eb nj\u00eb rreth vicioz pa rrug\u00eb e pa zgjidhje. \u00cbsht\u00eb lufta Sizifiane e individit p\u00ebrball\u00eb instinktit t\u00eb thanatosit dhe vullneti i \u00e7elikt i personazhit p\u00ebr ta sfiduar vdekjen e p\u00ebr ta p\u00ebrqafuar jet\u00ebn, e cila n\u00eb tharm t\u00eb stoicizmit e ka shp\u00ebtimin, shp\u00ebrblimin, rikthimin e intigritetit e dinjitetit njer\u00ebzor q\u00eb gjendet n\u00eb udh\u00ebkryqin e jet\u00ebs dhe karrier\u00ebs. Pra, \u00ebsht\u00eb drama ku mjeku shpirt\u00ebror k\u00ebrkon mjekun, etja e vet\u00ebdija e arsyeshme dashurin\u00eb dhe jeta gjall\u00ebruese q\u00eb refuzon vdekjen e shuarjen p\u00ebrball\u00eb nj\u00eb dileme e cila shkakton pezmin e melankolis\u00eb dhe pesimizmit p\u00ebrball\u00eb instinktit t\u00eb Erosit q\u00eb mundohet t\u2019a mbaj\u00eb gjall\u00eb frym\u00ebn shpirt\u00ebrore edhe at\u00ebher\u00eb kur klinikisht nj\u00eb shpres\u00eb \u00ebsht\u00eb venitur para syve t\u00eb njer\u00ebzve t\u00eb t\u00eb nj\u00ebjtit mision.<\/strong>
\nRomani ka nj\u00eb varg motivesh e idesh\u00eb q\u00eb jan\u00eb t\u00eb modeluara bukur. P\u00ebrbrenda k\u00ebtij materiali trillues ngrihet vet\u00ebdija p\u00ebr t\u00eb qen\u00eb i lir\u00eb p\u00ebrbrenda shansit t\u00eb madh t\u00eb liris\u00eb e p\u00ebrgjegj\u00ebsis\u00eb. Fush\u00ebbeteja artistike e shkrimtarit Pashku \u00ebsht\u00eb sfiduese p\u00ebr mendjet e r\u00ebndomta. Trilli e vdekja nuk kan\u00eb vend tek struktura nd\u00ebrpsikologjike e nd\u00ebrtekstuale e k\u00ebtij shkrimtari i cili q\u00eb moti ka detektuar luft\u00ebn e kultit me realitetin e lajthitjet moderne.
\nBusullat na duhen kur anija e shpirtit ton\u00eb p\u00ebrjeton furtun\u00eb thon\u00eb alegorit\u00eb e tij t\u00eb p\u00ebrkryera, andaj ngjyrat, madh\u00ebshtia, urata p\u00ebr paqe e harmoni, rrug\u00ebt e gjata t\u00eb jet\u00ebs, postmortumet p\u00ebr njer\u00ebzit, madh\u00ebshtoret e let\u00ebrsis\u00eb dhe k\u00ebng\u00ebt e pa k\u00ebndueme Malesor\u00e7e e maje krahu jan\u00eb balada poetike e figuracione q\u00eb shp\u00ebrfaqin lavdin\u00eb e nj\u00eb shpirti t\u00eb etur p\u00ebr liri e p\u00ebrjetim t\u00eb tharmit tradicional t\u00eb jet\u00ebs jasht\u00eb iluzionit e mashtrimit.<\/strong>
\nAutori Pashku p\u00ebrmes k\u00ebtij romani postmodern gjakon t\u2019i k\u00ebndoj bukuris\u00eb s\u00eb zemr\u00ebs e jet\u00ebs ngadh\u00ebnjimtare por jo syve e vesh\u00ebve tan\u00eb estetik .
\nKjo struktur\u00eb komplekse narrative e shum\u00ebdimensionale, karakteristik\u00eb kjo e mendjeve t\u00eb pjekura n\u00eb let\u00ebrsi i atribuohet edhe krijuesit Mark Pashku i cili triumfalisht po hyn\u00eb n\u00eb rradh\u00ebn e shkrimtar\u00ebve m\u00eb t\u00eb shquar n\u00eb bot\u00ebn letrare n\u00eb Kosov\u00eb e Mal t\u00eb zi por edhe m\u00eb gjer\u00eb deri tek rrafshi nacional.
\nKy vibracion shpirt\u00ebror e letrar nuk mund t\u00eb spjegohet ndryshe, vet\u00ebm si kambana e k\u00ebrkimit t\u00eb vet\u00ebs, tradit\u00ebs n\u00eb ishujt e zjarrt\u00eb t\u00eb s\u00eb v\u00ebrtet\u00ebs q\u00eb nuk zhg\u00ebnjen kurr\u00eb.
\nDhe krejt n\u00eb fund mund t\u00eb themi se: Mark Pashku me k\u00ebt\u00eb lib\u00ebr apo roman cil\u00ebsor \u00ebsht\u00eb nj\u00eb mozaik i p\u00ebrb\u00ebr\u00eb letrar mes klasikes, modernes e postmodernes, ku n\u00eb thelb ka mesazhin e ruajtjes s\u00eb familjes, jo si akt i vazhdim\u00ebsis\u00eb s\u00eb llojit njer\u00ebzor por si nj\u00eb dimension shpirt\u00ebror e t\u00eb tradit\u00ebs q\u00eb bekon kombin p\u00ebrmes dor\u00ebs s\u00eb heshtur s\u00eb Hyjnores…<\/strong>
\nShkrimtari Mark Pashku jeton dhe krijon diku n\u00eb periferi t\u00eb trojeve shqiptare por q\u00ebndron si obilisk i shquar letrar mu n\u00eb qend\u00ebr t\u00eb let\u00ebrsis\u00eb shqiptare.<\/strong>
\nAi si kush m\u00eb mir\u00eb ka kuptuar maksim\u00ebn e R. Rolanit dhe et\u00ebrve t\u00eb kombit, se t\u00eb krijosh do t\u00eb thot\u00eb t\u2019a vras\u00ebsh vdekjen.
\nUrime e suksese pene e art\u00eb<\/strong>
\nRespekt<\/strong>
\nKlin\u00eb me 22. XII. 2024<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

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