{"id":20478,"date":"2026-11-14T21:00:43","date_gmt":"2026-11-14T21:00:43","guid":{"rendered":"https:\/\/pirustinews.com\/?p=20478"},"modified":"2026-11-14T21:27:58","modified_gmt":"2026-11-14T21:27:58","slug":"romani-buzeqepuri-gjon-mark-krasniqi","status":"publish","type":"post","link":"https:\/\/pirustinews.com\/?p=20478","title":{"rendered":"\u201cBUZ\u00cbQEPURI\u201d \u2013 ROMANI I HESHTJES Q\u00cb FLET"},"content":{"rendered":"

Nga Aleksand\u00ebr NDOJA<\/strong><\/em><\/p>\n

Gjon Mark Krasniqi<\/strong>, me romanin \u201cBuz\u00ebqepuri<\/strong>\u201d<\/em>, nuk merr p\u00ebrsip\u00ebr vet\u00ebm t\u00eb tregoj\u00eb nj\u00eb histori vuajtjeje. Ai p\u00ebrpiqet t\u00eb rikthej\u00eb n\u00eb kujtes\u00eb nj\u00eb koh\u00eb kur njeriu mund t\u00eb nd\u00ebshkohej jo vet\u00ebm p\u00ebr at\u00eb q\u00eb kishte b\u00ebr\u00eb, por edhe p\u00ebr at\u00eb q\u00eb besonte, mendonte dhe guxonte t\u00eb thoshte.<\/p>\n

N\u00eb qend\u00ebr t\u00eb romanit q\u00ebndron Drinas Lisi, nj\u00eb njeri i zakonsh\u00ebm,<\/strong> i lidhur me tok\u00ebn, familjen dhe besimin. Jeta e tij dhe e familjes s\u00eb tij n\u00eb fshatin Lirisht\u00eb nis n\u00eb nj\u00eb atmosfer\u00eb t\u00eb thjesht\u00eb, ku varf\u00ebria nuk paraqitet si turp, por si pjes\u00eb e nj\u00eb ekzistence t\u00eb nd\u00ebrtuar mbi pun\u00ebn, durimin, solidaritetin dhe besimin. Kjo bot\u00eb e vog\u00ebl njer\u00ebzore, q\u00eb n\u00eb fillim duket e qet\u00eb, gradualisht p\u00ebrfshihet nga frika e nj\u00eb sistemi q\u00eb k\u00ebrkon t\u00eb dep\u00ebrtoj\u00eb deri n\u00eb nd\u00ebrgjegjen e individit.<\/p>\n

Dhe pik\u00ebrisht k\u00ebtu fillon drama e v\u00ebrtet\u00eb e romanit.<\/p>\n

Nga jeta e zakonshme te drama e njeriut<\/strong><\/h4>\n

Nj\u00eb nga vlerat e \u201cBuz\u00ebqepurit<\/strong>\u201d<\/em> \u00ebsht\u00eb m\u00ebnyra se si autori nuk e nd\u00ebrton menj\u00ebher\u00eb tragjedin\u00eb. Ajo vjen ngadal\u00eb. Fillimisht ndryshojn\u00eb z\u00ebrat, pastaj heshtja, m\u00eb pas frika dhe, n\u00eb fund, vjen dhuna.<\/p>\n

Kisha mbyllet, don Kola merret nga autoritetet, kambana pushon s\u00eb ting\u00eblluari dhe njer\u00ebzit fillojn\u00eb t\u00eb mendojn\u00eb dy her\u00eb para se t\u00eb flasin. Kambana, q\u00eb n\u00eb fillim ishte shenj\u00eb e ritmit t\u00eb jet\u00ebs, b\u00ebhet k\u00ebshtu nj\u00eb nga simbolet m\u00eb t\u00eb fuqishme t\u00eb romanit: kur ajo hesht, nuk hesht vet\u00ebm nj\u00eb objekt fetar, por nj\u00eb pjes\u00eb e jet\u00ebs shpirt\u00ebrore t\u00eb komunitetit.<\/p>\n

Autori e nd\u00ebrton k\u00ebt\u00eb ndryshim p\u00ebrmes detajeve t\u00eb vogla. Nj\u00eb der\u00eb q\u00eb mbyllet. Nj\u00eb v\u00ebshtrim q\u00eb shmanget. Nj\u00eb fjal\u00eb q\u00eb nuk thuhet. Nj\u00eb njeri q\u00eb nuk guxon t\u00eb pyes\u00eb. Frika nuk vjen vet\u00ebm nga burgu; ajo fillon shum\u00eb m\u00eb her\u00ebt, brenda marr\u00ebdh\u00ebnieve njer\u00ebzore.<\/p>\n

Kjo e b\u00ebn romanin m\u00eb shum\u00eb se nj\u00eb rr\u00ebfim p\u00ebr nj\u00eb familje t\u00eb persekutuar. Ai b\u00ebhet nj\u00eb rr\u00ebfim p\u00ebr m\u00ebnyr\u00ebn se si nj\u00eb sistem represiv p\u00ebrpiqet t\u00eb ndryshoj\u00eb psikologjin\u00eb e nj\u00eb shoq\u00ebrie.<\/p>\n

Drinas Lisi \u2013 figura e njeriut q\u00eb nuk dor\u00ebzon nd\u00ebrgjegjen<\/strong><\/h4>\n

Drinasi nuk \u00ebsht\u00eb nj\u00eb hero tradicional. Ai nuk lufton me arm\u00eb, nuk organizon kryengritje dhe nuk k\u00ebrkon t\u00eb b\u00ebhet simbol. Ai \u00ebsht\u00eb nj\u00eb njeri i zakonsh\u00ebm q\u00eb, n\u00eb nj\u00eb moment vendimtar, refuzon t\u00eb mohoj\u00eb at\u00eb q\u00eb beson. Pik\u00ebrisht kjo e b\u00ebn figur\u00ebn e tij m\u00eb njer\u00ebzore dhe m\u00eb t\u00eb fuqishme.<\/p>\n

Kur pyetet se kujt i beson, p\u00ebrgjigjja e tij nuk \u00ebsht\u00eb nj\u00eb deklarat\u00eb politike, por nj\u00eb mbrojtje e s\u00eb drejt\u00ebs p\u00ebr t\u00eb besuar. Kur m\u00eb pas p\u00ebrballet me hetuesin, ai nuk k\u00ebrkon t\u00eb shp\u00ebtoj\u00eb duke tradhtuar bindjen e vet. Edhe p\u00ebrball\u00eb presionit p\u00ebr t\u00eb n\u00ebnshkruar nj\u00eb deklarat\u00eb, ai zgjedh t\u00eb mos t\u00ebrhiqet.<\/p>\n

K\u00ebtu romani ngrihet mbi konfliktin politik dhe hyn n\u00eb nj\u00eb terren m\u00eb universal: \u00e7far\u00eb mbetet nga njeriu kur atij i hiqen liria, siguria, familja dhe e drejta p\u00ebr t\u00eb folur?<\/strong><\/p>\n

P\u00ebrgjigjja e Krasniqit \u00ebsht\u00eb e qart\u00eb: mbetet nd\u00ebrgjegjja.<\/strong><\/p>\n

Marta \u2013 drama e heshtur e gruas<\/strong><\/h4>\n

N\u00ebse Drinasi p\u00ebrfaq\u00ebson q\u00ebndres\u00ebn e hapur t\u00eb nd\u00ebrgjegjes, Marta p\u00ebrfaq\u00ebson q\u00ebndres\u00ebn e heshtur.<\/p>\n

Ajo nuk arrestohet n\u00eb fillim, por nd\u00ebshkimi i saj fillon n\u00eb \u00e7astin kur arrestohet i shoqi. Fshati fillon ta shmang\u00eb. T\u00eb af\u00ebrmit largohen. F\u00ebmij\u00ebt vuajn\u00eb pasojat e fajit t\u00eb shpikur nga pushteti. Por Marta nuk thyhet.<\/strong><\/p>\n

Ajo punon, lutet, mban familjen, ruan kujtimin e t\u00eb shoqit dhe p\u00ebrpiqet t\u2019u m\u00ebsoj\u00eb f\u00ebmij\u00ebve nj\u00eb t\u00eb v\u00ebrtet\u00eb themelore: t\u00eb mos ken\u00eb turp nga ajo q\u00eb \u00ebsht\u00eb e drejt\u00eb.<\/p>\n

N\u00eb k\u00ebt\u00eb kuptim, Marta \u00ebsht\u00eb nj\u00eb nga figurat m\u00eb t\u00eb r\u00ebnd\u00ebsishme morale t\u00eb romanit. Ajo nuk \u00ebsht\u00eb thjesht bashk\u00ebshortja e t\u00eb burgosurit. Ajo \u00ebsht\u00eb kujtesa e sht\u00ebpis\u00eb<\/strong>.<\/p>\n

Dardha e vjet\u00ebr n\u00eb oborr, k\u00ebmisha e Drinasit,<\/strong> vendi i tij n\u00eb tryez\u00eb dhe kujtimet e f\u00ebmij\u00ebve b\u00ebhen pjes\u00eb e k\u00ebsaj kujtese. Sht\u00ebpia mund t\u00eb zbrazet, familja mund t\u00eb internohet, por kujtesa nuk mund t\u00eb d\u00ebbohet me kamion.<\/p>\n

Burgu si \u00e7njer\u00ebzim dhe si prov\u00eb e karakterit<\/strong><\/h4>\n

Pjes\u00ebt e romanit q\u00eb zhvillohen n\u00eb burg e zgjerojn\u00eb rr\u00ebfimin p\u00ebrtej fatit t\u00eb Drinasit. N\u00eb burg ai takon njer\u00ebz me prejardhje dhe bindje t\u00eb ndryshme: pater Simoni, hoxh\u00eb Ramizi, Leka, Vasili dhe t\u00eb tjer\u00eb.<\/strong> K\u00ebtu ndodh nj\u00eb nga kthesat m\u00eb interesante t\u00eb romanit.<\/p>\n

Paradoksalisht, n\u00eb nj\u00eb vend ku pushteti k\u00ebrkon t\u2019i ndaj\u00eb dhe t\u2019i n\u00ebnshtroj\u00eb njer\u00ebzit, t\u00eb burgosurit gjejn\u00eb nj\u00eb m\u00ebnyr\u00eb p\u00ebr t\u2019u afruar. Prifti dhe hoxha nuk paraqiten si kund\u00ebrshtar\u00eb. P\u00ebrkundrazi, vuajtja i afron. Ata nuk p\u00ebrpiqen ta bindin nj\u00ebri-tjetrin se kush ka t\u00eb drejt\u00eb; d\u00ebgjojn\u00eb nj\u00ebri-tjetrin.<\/p>\n

Kjo \u00ebsht\u00eb nj\u00eb nga idet\u00eb m\u00eb t\u00eb bukura t\u00eb romanit: besimi nuk p\u00ebrdoret si arm\u00eb kund\u00ebr tjetrit, por si burim force p\u00ebr t\u00eb mos humbur njer\u00ebzoren.<\/strong><\/p>\n

N\u00eb k\u00ebt\u00eb pik\u00eb, \u201cBuz\u00ebqepuri<\/strong>\u201d<\/em> fiton nj\u00eb dimension universal. Ai nuk flet vet\u00ebm p\u00ebr persekutimin fetar apo politik. Flet p\u00ebr aft\u00ebsin\u00eb e njeriut p\u00ebr t\u00eb ruajtur dinjitetin edhe at\u00ebher\u00eb kur \u00e7do gj\u00eb rreth tij \u00ebsht\u00eb projektuar p\u00ebr t\u2019ia marr\u00eb at\u00eb.<\/p>\n

Heshtja \u2013 personazhi i paduksh\u00ebm i romanit<\/strong><\/h4>\n

Ndoshta elementi m\u00eb karakteristik i vepr\u00ebs \u00ebsht\u00eb heshtja<\/strong>.<\/p>\n

Heshtja shfaqet q\u00eb n\u00eb fillim, kur njer\u00ebzit fillojn\u00eb t\u00eb flasin m\u00eb pak. Pastaj ajo hyn n\u00eb sht\u00ebpi, n\u00eb rrug\u00eb, n\u00eb burg, n\u00eb familje dhe n\u00eb marr\u00ebdh\u00ebniet mes njer\u00ebzve.<\/p>\n

Por heshtja n\u00eb roman ka dy kuptime.<\/p>\n

Ka nj\u00eb heshtje q\u00eb imponohet nga frika dhe nj\u00eb heshtje q\u00eb shnd\u00ebrrohet n\u00eb q\u00ebndres\u00eb.<\/p>\n

Kur Drinasi nuk pranon t\u00eb n\u00ebnshkruaj\u00eb, ai nuk b\u00ebrtet. Kur Marta p\u00ebrballon vuajtjen, nuk b\u00ebn deklarata t\u00eb m\u00ebdha. Kur t\u00eb burgosurit ndajn\u00eb me nj\u00ebri-tjetrin pak uj\u00eb, nj\u00eb kujtim apo nj\u00eb fjal\u00eb shprese, nuk kan\u00eb nevoj\u00eb p\u00ebr zhurm\u00eb.<\/p>\n

Prandaj titulli \u201cBuz\u00ebqepuri<\/strong>\u201d<\/em> fiton nj\u00eb pesh\u00eb simbolike q\u00eb shkon p\u00ebrtej kuptimit literal. Buz\u00ebt e mbyllura me dhun\u00eb p\u00ebrfaq\u00ebsojn\u00eb p\u00ebrpjekjen p\u00ebr t\u2019i hequr njeriut fjal\u00ebn, por jo domosdoshm\u00ebrisht mendimin.<\/p>\n

Mund t\u2019ia mbyll\u00ebsh goj\u00ebn njeriut; nuk mund t\u2019ia qep\u00ebsh nd\u00ebrgjegjen.<\/strong><\/h4>\n

Dhe kjo \u00ebsht\u00eb, n\u00eb thelb, nj\u00eb nga idet\u00eb qendrore t\u00eb romanit.<\/p>\n

Nj\u00eb roman i besimit, por jo vet\u00ebm fetar<\/strong><\/h4>\n

Besimi \u00ebsht\u00eb nj\u00eb shtyll\u00eb e r\u00ebnd\u00ebsishme e vepr\u00ebs, por romani nuk e redukton at\u00eb n\u00eb praktik\u00eb fetare.<\/p>\n

Besimi te Zoti nd\u00ebrthuret me besimin te familja, te e mira, te dinjiteti, te kujtesa dhe te shpresa.<\/p>\n

Edhe n\u00eb burg, ku njeriu \u00ebsht\u00eb i privuar nga pothuajse gjith\u00e7ka, personazhet p\u00ebrpiqen t\u00eb ruajn\u00eb at\u00eb q\u00eb nuk mund t\u2019u merret me urdh\u00ebr: m\u00ebnyr\u00ebn si mendojn\u00eb dhe m\u00ebnyr\u00ebn si sillen me nj\u00ebri-tjetrin.<\/p>\n

N\u00eb k\u00ebt\u00eb kuptim, \u201cBuz\u00ebqepuri<\/strong>\u201d<\/em> nuk \u00ebsht\u00eb nj\u00eb roman p\u00ebr urrejtjen. \u00cbsht\u00eb, paradoksalisht, nj\u00eb roman kund\u00ebr urrejtjes.<\/p>\n

Edhe kur personazhet p\u00ebrballen me dhun\u00ebn, mesazhi i tyre nuk \u00ebsht\u00eb hakmarrja. \u00cbsht\u00eb ruajtja e njeriut brenda vetes.<\/p>\n

Gjuha dhe m\u00ebnyra e rr\u00ebfimit<\/strong><\/h4>\n

Krasniqi zgjedh nj\u00eb gjuh\u00eb t\u00eb drejtp\u00ebrdrejt\u00eb dhe t\u00eb kuptueshme. Fjalit\u00eb jan\u00eb p\u00ebrgjith\u00ebsisht t\u00eb shkurtra dhe rr\u00ebfimi ec\u00ebn p\u00ebrmes skenave t\u00eb qarta, dialog\u00ebve dhe detajeve konkrete.<\/p>\n

Kjo m\u00ebnyr\u00eb shkrimi i p\u00ebrshtatet natyr\u00ebs s\u00eb vepr\u00ebs: autori nuk k\u00ebrkon ta mbuloj\u00eb dhimbjen me nj\u00eb gjuh\u00eb t\u00eb st\u00ebrholluar. Shpesh nj\u00eb der\u00eb q\u00eb mbyllet, nj\u00eb f\u00ebmij\u00eb q\u00eb pyet p\u00ebr t\u00eb atin apo nj\u00eb dor\u00eb q\u00eb vendoset mbi xham jan\u00eb m\u00eb t\u00eb fuqishme se nj\u00eb p\u00ebrshkrim i gjat\u00eb.<\/p>\n

Kjo \u00ebsht\u00eb edhe arsyeja pse romani lexohet m\u00eb shum\u00eb si nj\u00eb rr\u00ebfim njer\u00ebzor sesa si nj\u00eb kronik\u00eb e ftoht\u00eb historike.<\/p>\n

N\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb, prania e Senek\u00ebs n\u00eb hapje t\u00eb librit nuk \u00ebsht\u00eb e rast\u00ebsishme. Mendimi mbi m\u00ebnyr\u00ebn se si njeriu p\u00ebrballon hallet krijon nj\u00eb \u00e7el\u00ebs p\u00ebr leximin e gjith\u00eb vepr\u00ebs. Autori, i cili ka p\u00ebrkthyer dhe botuar edhe vepra t\u00eb Senek\u00ebs, e vendos k\u00ebshtu romanin n\u00eb nj\u00eb horizont m\u00eb t\u00eb gjer\u00eb etik e filozofik.<\/p>\n

Nj\u00eb vep\u00ebr p\u00ebr kujtes\u00ebn<\/strong><\/h4>\n

Vlera e \u201cBuz\u00ebqepurit<\/strong>\u201d<\/em> q\u00ebndron edhe n\u00eb faktin se autori nuk e trajton t\u00eb kaluar\u00ebn vet\u00ebm si histori. Ai e sjell at\u00eb si kujtes\u00eb njer\u00ebzore. Nj\u00eb sistem mund t\u00eb mbyll\u00eb kishat, t\u00eb arrestoj\u00eb njer\u00ebzit, t\u00eb shp\u00ebrngul\u00eb familjet, t\u00eb marr\u00eb librat, t\u00eb kontrolloj\u00eb fjal\u00ebt dhe t\u00eb krijoj\u00eb frik\u00eb. Por ai nuk mund ta kontrolloj\u00eb plot\u00ebsisht kujtes\u00ebn.<\/p>\n

N\u00eb fund t\u00eb romanit, edhe kur jeta e Drinasit p\u00ebrfundon tragjikisht dhe buz\u00ebt e tij qepen, heshtja nuk mbyllet. P\u00ebrkundrazi, ajo p\u00ebrhapet dhe b\u00ebhet nj\u00eb lloj d\u00ebshmie. Kjo e kthen fundin nga nj\u00eb tragjedi individuale n\u00eb nj\u00eb p\u00ebrfundim simbolik: njeriu mund t\u00eb vdes\u00eb, por ajo q\u00eb ka mbrojtur me jet\u00ebn e vet mund t\u00eb vazhdoj\u00eb t\u00eb flas\u00eb.<\/strong><\/p>\n

K\u00ebshtu, \u201cBuz\u00ebqepuri\u201d<\/em> \u00ebsht\u00eb nj\u00eb roman mbi nj\u00eb njeri, nj\u00eb familje dhe nj\u00eb koh\u00eb, por n\u00eb shtres\u00ebn e tij m\u00eb t\u00eb thell\u00eb \u00ebsht\u00eb nj\u00eb roman mbi lirin\u00eb e nd\u00ebrgjegjes<\/strong>.<\/p>\n

Gjon Mark Krasniqi,<\/strong> n\u00eb vepr\u00ebn e tij t\u00eb par\u00eb t\u00eb botuar, nuk nd\u00ebrton nj\u00eb hero t\u00eb madh n\u00eb kuptimin klasik. Ai nd\u00ebrton nj\u00eb njeri t\u00eb zakonsh\u00ebm dhe e vendos p\u00ebrball\u00eb nj\u00eb prove t\u00eb jasht\u00ebzakonshme. Pik\u00ebrisht aty q\u00ebndron forca e Drinasit: ai nuk b\u00ebhet i madh sepse k\u00ebrkon lavdi, por sepse, kur i k\u00ebrkohet t\u00eb mohoj\u00eb veten, zgjedh t\u00eb mbetet ai q\u00eb \u00ebsht\u00eb.<\/strong><\/p>\n

Dhe ndoshta ky \u00ebsht\u00eb mesazhi m\u00eb i fuqish\u00ebm q\u00eb l\u00eb romani:<\/p>\n

Kur pushteti i qep buz\u00ebt e njeriut, fjala nuk vdes. Ajo zhvendoset n\u00eb kujtes\u00eb.<\/strong><\/h4>\n

\u201cBuz\u00ebqepuri<\/strong>\u201d<\/em> \u00ebsht\u00eb, n\u00eb k\u00ebt\u00eb kuptim, nj\u00eb roman p\u00ebr ata q\u00eb nuk mund\u00ebn t\u00eb flisnin, por q\u00eb heshtja e tyre, shum\u00eb vite m\u00eb von\u00eb, vazhdon t\u00eb flas\u00eb.<\/p>\n","protected":false},"excerpt":{"rendered":"

Nga Aleksand\u00ebr NDOJA Gjon Mark Krasniqi, me romanin \u201cBuz\u00ebqepuri\u201d, nuk merr p\u00ebrsip\u00ebr vet\u00ebm t\u00eb tregoj\u00eb…<\/p>\n","protected":false},"author":2,"featured_media":20479,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[709,703,1149],"tags":[],"class_list":["post-20478","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-kryesor","category-kulture","category-revista-mirdita","post_format-post-format-gallery"],"yoast_head":"\n\u201cBUZ\u00cbQEPURI\u201d \u2013 ROMANI I HESHTJES Q\u00cb FLET - Pirusti News<\/title>\n<meta name=\"description\" content=\"Buz\u00ebqepuri\u201d i Gjon Mark Krasniqit: romani i heshtjes q\u00eb flet p\u00ebr dinjitetin, besimin, vuajtjen dhe kujtes\u00ebn e nj\u00eb kohe t\u00eb v\u00ebshtir\u00eb.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pirustinews.com\/?p=20478\" \/>\n<meta property=\"og:locale\" content=\"sq_AL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cBUZ\u00cbQEPURI\u201d \u2013 ROMANI I HESHTJES Q\u00cb FLET - 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