{"id":9299,"date":"2018-11-19T19:47:19","date_gmt":"2018-11-19T19:47:19","guid":{"rendered":"http:\/\/pirustinews.com\/?p=9299"},"modified":"2024-04-10T12:01:33","modified_gmt":"2024-04-10T12:01:33","slug":"interviste-me-angjelina-lekaj-koreografe-kercimi-dhe-baleti-pedagoge-drejtuese-projektesh-mentore-consulter-sgfb-dhe-art-terapiste","status":"publish","type":"post","link":"https:\/\/pirustinews.com\/?p=9299","title":{"rendered":"Intervist\u00eb me Angjelina Lekaj, Koreografe k\u00ebrcimi dhe baleti, pedagoge, drejtuese projektesh, mentore, consulter SGfB dhe art-terapiste."},"content":{"rendered":"

P\u00ebrgatiti: Aleksand\u00ebr NDOJA.<\/b><\/p>\n

Leka: <\/strong>\u201cArti <\/em><\/strong>\u00eb<\/em><\/strong>sht<\/em><\/strong>\u00eb <\/em><\/strong>nj<\/em><\/strong>\u00eb <\/em><\/strong>zinxhir i bukur q<\/em><\/strong>\u00eb <\/em><\/strong>nuk lejohet t’i shk<\/em><\/strong>\u00eb<\/em><\/strong>putet asnj<\/em><\/strong>\u00eb <\/em><\/strong>hallk<\/em><\/strong>\u00eb.<\/em><\/strong> Pa nj<\/em><\/strong>\u00eb <\/em><\/strong>zinxhir nuk krijohet tradit<\/em><\/strong>\u00eb<\/em><\/strong>, pa nj<\/em><\/strong>\u00eb <\/em><\/strong>tradit<\/em><\/strong>\u00eb <\/em><\/strong>nuk ka nj<\/em><\/strong>\u00eb <\/em><\/strong>komb t<\/em><\/strong>\u00eb <\/em><\/strong>fuqish<\/em><\/strong>\u00eb<\/em><\/strong>m.\u201d\u00a0\u00a0<\/em><\/strong>Intervist\u00eb e botuar n\u00eb Revist\u00ebn \u201cMirdita\u201d nr 20.<\/em><\/strong><\/p>\n

Angjelina Lekaj filloi studimet n<\/em>\u00eb <\/em>Akademin<\/em>\u00eb <\/em>e Arteve t<\/em>\u00eb <\/em>Bukura n<\/em>\u00eb <\/em>Tiran<\/em>\u00eb <\/em>dhe u diplomua si femra e par<\/em>\u00eb <\/em>shqiptare mes gjasht<\/em>\u00eb <\/em>meshkujsh n<\/em>\u00eb <\/em>deg<\/em>\u00eb<\/em>n e Koreografis<\/em>\u00eb dhe Regjis\u00eb.<\/em> Mbron Masterin m<\/em>\u00eb <\/em>1985-n me nj<\/em>\u00eb Balet me dy akte t\u00eb <\/em>titulluar: \u201c<\/strong><\/em>Pranvera<\/em><\/strong>\u201d <\/em><\/strong>me muzik\u00eb <\/em>t<\/em>\u00eb <\/em>kompozitorit \u201cMjesht<\/em>\u00eb<\/em>r i Madh<\/em>\u201d Dorian Nini<\/strong>, para Komisionit: Panajot Kana<\/em>\u00e7<\/em>i e Agron Alija (Artist<\/em>\u00eb <\/em>Populli), dhe Artistit t<\/em>\u00eb <\/em>merituar Petrit Vorbsi.<\/em><\/p>\n

Po at<\/em>\u00eb <\/em>vit, 1985, em<\/em>\u00ebrohet n\u00eb <\/em>Pallatin e Kultur<\/em>\u00eb<\/em>s n<\/em>\u00eb <\/em>Mirdit<\/em>\u00eb, nga ku largohet n\u00eb <\/em>fund t<\/em>\u00eb <\/em><\/strong>vitit 1990.<\/strong> Mbas largimit nga Shqip<\/em>\u00eb<\/em>ria deri n<\/em>\u00eb 1995 drejtoi shkoll<\/em>\u00eb<\/em>n e<\/em> baletit t<\/em>\u00eb<\/em> Liceut Artistik, Greqi. Nga 1995 dhe deri sot jeton n<\/em>\u00eb <\/em>Zvicer. Mbas studimeve pasuniversitare n<\/em>\u00eb <\/em>Universitetin e Luzern, punoi rreth 17 vite si drejtuese e klubit t<\/em>\u00eb <\/em>Rinis<\/em>\u00eb <\/em>n<\/em>\u00eb <\/em>Z\u00fcrich, m<\/em>\u00eb <\/em>pas studioi kat<\/em>\u00eb<\/em>r vite Integrative Gestalttherapie Consulting n<\/em>\u00eb <\/em>Gjermani. Ne vazhdim studioi TAMALPA Institut n<\/em>\u00eb <\/em>Kaliforni (p<\/em>\u00eb<\/em>r Artterapi n<\/em>\u00eb<\/em>p<\/em>\u00eb<\/em>rmjet l<\/em>\u00eb<\/em>vizjeve dhe memories s<\/em>\u00eb <\/em>trupit). Sot ushtron profesionin Consulting dhe Familiencoach p<\/em>\u00eb<\/em>r njer<\/em>\u00eb<\/em>zit q<\/em>\u00eb <\/em>jan<\/em>\u00eb <\/em>t<\/em>\u00eb <\/em>interesuar t<\/em>\u00eb <\/em>njohin potencialin e tyre dhe ato q<\/em>\u00eb <\/em>duan t<\/em>\u00eb <\/em>p<\/em>\u00eb<\/em>rpunojn<\/em>\u00eb <\/em>p<\/em>\u00eb<\/em>rjetimet si faza t<\/em>\u00eb <\/em>v<\/em>\u00eb<\/em>shtira t<\/em>\u00eb <\/em>jet<\/em>\u00eb<\/em>s.<\/em><\/p>\n

Angjelina Lekaj<\/strong> , Vendlindja dhe f<\/strong>\u00eb<\/strong>mij<\/strong>\u00eb<\/strong>ria.<\/strong><\/p>\n

Kam lindur n\u00eb Shkodr\u00ebn e djepit t\u00eb dijes e t\u00eb kultur\u00ebs, mes artist\u00ebve t\u00eb njohur t\u00eb Shqip\u00ebris\u00eb. \u00c7do ver\u00eb f\u00ebmij\u00ebrin\u00eb e kaloja n\u00eb kull\u00ebn e madhe tradicionale dhe t\u00eb njohur te gjyshat e mi t\u00eb dashur, n\u00eb fshatin Kashnjet. Atje ishte kontakti im i par\u00eb emocional dhe artistik me kultur\u00ebn Mirditore. N\u00eb mosh\u00ebn 9 vje\u00e7are p\u00ebrzgjidhem n\u00eb Shkod\u00ebr nga specialist\u00ebt m\u00eb t\u00eb njohur t\u00eb baletit shqiptar, p\u00ebr t\u00eb studiuar n\u00eb Liceun Artistik t\u00eb Baletit n\u00eb Tiran\u00eb, por familja ime d\u00ebshironte q\u00eb t\u00eb ardhmen ta nd\u00ebrtoja kudo, ve\u00e7 n\u00eb art jo. Pavar\u00ebsisht k\u00ebsaj, me k\u00ebmb\u00ebnguljen time, kam marr\u00eb pjes\u00eb n\u00eb sht\u00ebpin\u00eb e Pionierit dhe n\u00eb Pallatin e Kultur\u00ebs Shkod\u00ebr, n\u00eb aktivitete t\u00eb panum\u00ebrta, si, festivale f\u00ebmij\u00ebsh, festivale pionier\u00ebsh, klubin e rinis\u00eb, festivale t\u00eb shkollave si interpretuese dhe si koreografja m\u00eb e re. Kam marr\u00eb pjes\u00eb n\u00eb koncertet e Filarmonis\u00eb s\u00eb Shkodr\u00ebs, n\u00eb estradat profesioniste t\u00eb teatrit Migjeni, n\u00eb Festivalet e klas\u00ebs Pun\u00ebtore (si interpretuese dhe si koreografe), n\u00eb koncerte t\u00eb shfaqura nga Televizioni Komb\u00ebtar Shqiptar, si dhe n\u00eb Festivalin Komb\u00ebtar Folklorik 1978, ku prezantova p\u00ebr Shkodr\u00ebn kostumin e nuses Mirditore. N\u00eb 1979 isha pjes\u00ebtare e Ansamblit t\u00eb Shkodr\u00ebs n\u00eb Turneun Shtet\u00ebror ne Turqi, si dhe n\u00eb Dekadat e Majit – Tiran\u00eb. Mbas kursit n\u00ebnt\u00eb mujor t\u00eb Koreografis\u00eb n\u00eb Tiran\u00eb, konkurova p\u00ebr n\u00eb Akademin\u00eb e Arteve t\u00eb bukura n\u00eb deg\u00ebn e Koreografi-Regjis\u00eb, duke fituar si e vetmja vajz\u00eb mes gjasht\u00eb djemve. Un\u00eb isha nj\u00eb prej shtat\u00eb Koreograf\u00ebve t\u00eb par\u00eb q\u00eb u diplomuan n\u00eb ket\u00eb deg\u00eb n\u00eb Shqiperi.<\/p>\n

Arsimimi dhe qenia juaj n<\/strong>\u00eb koreografi ishte vullnet apo talent?<\/strong><\/p>\n

\u00a0<\/strong>Isha personi q\u00eb gjithmon\u00eb e doja shkoll\u00ebn, madje l\u00ebnd\u00ebt e mia t\u00eb preferuara ishin matematika, fizika e kimia. Baleti ishte p\u00ebr mua nj\u00eb Vis i panjohur. Si m\u00eb pushtoi arti i k\u00ebrcimit? Isha 9 vje\u00e7e, nx\u00ebn\u00ebse e fillores. M\u00ebsuesja m\u00eb d\u00ebrgoi n\u00eb sall\u00ebn e m\u00ebsuesve p\u00ebr t\u00eb marr\u00eb fletoret e provimeve t\u00eb klas\u00ebs. N\u00eb verand\u00ebn e shkoll\u00ebs \u201cBranko Kadija\u201d k\u00ebrcimtaret po b\u00ebnin prova p\u00ebr Festivalin e Shkollave t\u00eb Shkodr\u00ebs. Duke par\u00eb tek k\u00ebrcenin u mahnita se si njeriu \u201cflet\u201d n\u00ebp\u00ebrmjet l\u00ebvizjeve t\u00eb trupit, pa fjal\u00eb. Kjo m\u00eb magjepsi, sidomos kur l\u00ebvizjet vetjake harmonizoheshin me ato\u00a0t\u00eb k\u00ebrcimtar\u00ebve t\u00eb tjer\u00eb, m\u00eb josh\u00ebn aq sa harrova se ku isha\u2026 ve\u00e7 kur ndjeva dor\u00ebn e but\u00eb mbi sup t\u00eb m\u00ebsuese Albina Baba. U ktheva n\u00eb klas\u00eb, por mendja m\u00eb mbeti te grupi i k\u00ebrcimit. Q\u00eb nga ai \u00e7ast ndjeja nj\u00eb zjarr n\u00eb gjoks q\u00eb rritej e me t\u00ebrhiqte drejt tij. K\u00ebtu lindi pasioni im q\u00eb frymezoi vullnetin gjat\u00eb gjith\u00eb karrier\u00ebs sime t\u00eb Koreografis\u00eb. Por pasioni pa pun\u00ebn dhe disiplin\u00ebn \u00ebsht\u00eb si t\u00eb thuash si bima pa uj\u00eb dhe pa diell. Kur e do at\u00eb q\u00eb b\u00ebn, kap\u00ebrcen \u00e7do v\u00ebshtir\u00ebsi, nuk ndjen lodhje dhe mbushesh me energji.<\/p>\n

P<\/strong>\u00eb<\/strong>rgatitja profesionale e juaja, pedagog<\/strong>\u00eb<\/strong>t dhe praktika profesionale.<\/strong><\/p>\n

\u00a0<\/strong>Duke qen\u00eb grupi i par\u00eb n\u00eb Akademin\u00eb e Arteve, ishim n\u00eb nj\u00ebfar\u00eb m\u00ebnyre grup eksperimental, ndaj kishim edhe m\u00eb shum\u00eb l\u00ebnd\u00eb krahasuar me ata q\u00eb na pasuan. Mbaj mend q\u00eb edhe juria e konkursit p\u00ebr t\u00eb hyr\u00eb n\u00eb k\u00ebt\u00eb deg\u00eb p\u00ebrb\u00ebhej nga 12 artist\u00eb t\u00eb njohur, num\u00ebr q\u00eb m\u00eb von\u00eb kaloi n\u00eb kat\u00ebr. Deg\u00ebn e koreografis\u00eb e ushtronim n\u00eb Teatrin e Operas dhe Baletit me profesor maestro, Artist i Popullit Panajot Kana\u00e7i. N\u00eb at\u00eb koh\u00eb hyrja n\u00eb TOB ishte me nj\u00eb kontroll t\u00eb fort\u00eb. Ne t\u00eb shtat\u00eb kishim privilegjin e t\u00eb pasurit flet-hyrje t\u00eb ve\u00e7ant\u00eb. Nj\u00eb institucion i till\u00eb ishte n\u00eb at\u00eb koh\u00eb i \u201cshenjt\u00eb\u201d. L\u00ebnd\u00ebt e tjera i ushtronim n\u00eb Akademin\u00eb e Arteve. \u00c7do fundviti prezantonim nj\u00eb krijimtari ton\u00ebn t\u00eb realizuar me nj\u00eb grup; qoft\u00eb ai i Sht\u00ebpis\u00eb s\u00eb Pionierit Tiran\u00eb, nj\u00eb Grup nga Dekada e Majit, t\u00eb nj\u00eb shkolle apo t\u00eb vet\u00eb Shkoll\u00ebs s\u00eb Baletit. Vitin e kat\u00ebrt e kam mbrojtur me Eventin Komb\u00ebtar n\u00eb Durr\u00ebs si perfaq\u00ebsuese e Mirdit\u00ebs, me k\u00ebrcimin \u201cVallzojn\u00eb P\u00ebllumbeshat\u201d. Muzika ishte e kompozuar nga Dorian NINI.<\/p>\n

Em\u00ebrimi n<\/strong>\u00eb <\/strong>Mirdit<\/strong>\u00eb <\/strong>ishte i mir<\/strong>\u00eb<\/strong>pritur p<\/strong>\u00eb<\/strong>r ju?<\/strong><\/p>\n

\u00a0<\/strong>Po. Lidhja ime me Mirdit\u00ebn daton shum\u00eb m\u00eb her\u00ebt sesa em\u00ebrimi im atje si koreografe, si\u00e7 p\u00ebrmenda, pushimet verore tek gjyshat n\u00eb Kashnjet, \u00a0prezantimi i kostumit t\u00eb nuses Mirditore ne FFSH 78, ku etnografi shkodran, Kol Shtjefni e identifikonte k\u00ebt\u00eb kostum me mua. Ndoshta mbasi kisha dy g\u00ebrsheta t\u00eb gjat\u00eb? Mbase kultura mirditore kishte rr\u00ebnj\u00eb brenda meje? Nuk e di. P\u00ebr mua nuk ishte e vet\u00ebdijshme n\u00eb at\u00eb koh\u00eb. Fokusi im ishte te studimet. Atje hulumtonim dhe motivet folklorike. K\u00ebshtu q\u00eb kam pasur privilegjin e madh n\u00eb at\u00eb koh\u00eb ta vizitoj Shqip\u00ebrin\u00eb nga jugu n\u00eb veri. Kur po udh\u00ebtonim p\u00ebr n\u00eb Tropoj\u00eb ndaluam n\u00eb Mirdit\u00eb. Po at\u00eb vit zhvillohej Festivali Komb\u00ebtar n\u00eb Durr\u00ebs. Ne ishim koreograf\u00ebt e par\u00eb q\u00eb po diplomoheshim n\u00eb Shqip\u00ebri dhe ishim planifikuar t\u00eb shp\u00ebrndaheshim n\u00ebp\u00ebr qytetet e m\u00ebdha, si Tirana, Shkodra, Durr\u00ebsi, Vlora etj. Nj\u00eb nga bashk\u00ebstudent\u00ebt m\u00eb pyet n\u00ebse do t\u00eb d\u00ebshiroja t\u00eb prezantoja Mirdit\u00ebn n\u00eb festivalin Komb\u00ebtar t\u00eb \u201984 n\u00eb Durr\u00ebs. U p\u00ebrgjigja pa ngurrim: Po! Koreografia \u201cVallzojn\u00eb P\u00ebllumbeshat\u201d u laurua si Koreografia m\u00eb inovative e Festivalit. N\u00eb at\u00eb koh\u00eb, nj\u00eb program artistik rreth dyzet minuta, filtrohej mir\u00eb dhe fjal\u00ebn e fundit e kishte komisioni qendror nga Tirana, i p\u00ebrb\u00ebr\u00eb nga artist\u00eb te njohur, muzikant\u00eb dhe koreograf\u00eb, k\u00ebta t\u00eb fundit ishin dhe pedagog\u00ebt e mi. Ata, jo vet\u00ebm p\u00ebrkrah\u00ebn plot\u00ebsisht krijimtarin\u00eb time duke e quajtur risi, por shpreh\u00ebn edhe krenari p\u00ebr studenten e tyre.<\/p>\n

Mbi em\u00ebrimin tim s\u2019kam folur ndonj\u00ebher\u00eb, mbasi isha nj\u00eb studente e rezultateve maksimale n\u00eb k\u00ebt\u00eb fush\u00eb dhe p\u00ebr t\u00eb tjer\u00ebt qe i padiskutuar em\u00ebrimi im n\u00eb Tiran\u00eb. N\u00eb \u201985, edhe pse nuk dukej, ndihej nj\u00ebfar\u00eb l\u00ebkundje e sistemit. N\u00eb k\u00ebt\u00eb koh\u00eb gjat\u00eb procesit t\u00eb em\u00ebrimit u konfrontova p\u00ebr her\u00eb t\u00eb par\u00eb jo ve\u00e7 si artiste por dhe si fem\u00ebr, duke sfiduar Ministrin\u00eb e Arsimit dhe Kultur\u00ebs. K\u00ebshtu, pa hezitim k\u00ebrkova vet\u00eb nga Ministria t\u00eb em\u00ebrohesha n\u00eb Mirdit\u00eb. Shum\u00ebkush e gjeti vendimin tim jo konvencional. N\u00eb Shkod\u00ebr thonin; \u201cn<\/em>\u00eb<\/em>se \u00e7do njeri e ka nj<\/em>\u00eb <\/em>d<\/em>\u00eb<\/em>rras<\/em>\u00eb <\/em>mangut, artistat kan<\/em>\u00eb <\/em>nj<\/em>\u00eb <\/em>dysheme\u201d<\/em>, un\u00eb si artiste, kuptohej…<\/p>\n

M\u00eb t\u00ebrhiqte arti mirditor, m\u00eb t\u00ebrhiqte ajo pjes\u00eb patriarkale q\u00eb nuk ishte kok\u00ebfort\u00eb e betonuar, q\u00eb reflektonte dhe zhvillohej. M\u00eb t\u00ebrhiqte kund\u00ebrv\u00ebnia: nga nj\u00ebra an\u00eb folklori i pasurkoreografik dhe nga ana tjet\u00ebr i pal\u00ebvruar. Nj\u00eb tjet\u00ebr ve\u00e7anti e Mirdit\u00ebs ishte p\u00ebrkat\u00ebsia fetare, e gjith\u00eb krahina katolike, edhe pse at\u00ebher\u00eb nuk praktikohej feja, \u201cishim t\u00eb gjith\u00eb ateista\u201d<\/em>, n\u00eb shpirt e ruanin at\u00ebsi nj\u00eb autenticitet kulturor. Em\u00ebrimi im ishte nj\u00eb nd\u00ebr vendimet e mia sikund\u00ebr thash\u00eb, krejt n\u00eb kund\u00ebrshtim me mend\u00ebsin\u00eb, por, p\u00ebr mua ishte nj\u00eb zgjedhje intuitive, si nga ana profesionale ashtu edhe shpirt\u00ebrore, q\u00eb ia ka vlejtur plot\u00ebsisht.<\/p>\n

N<\/strong>\u00eb <\/strong>Mirdit<\/strong>\u00eb <\/strong>nuk ka tradit<\/strong>\u00eb <\/strong>vallesh, mirditasit kan<\/strong>\u00eb <\/strong>fjal<\/strong>\u00eb<\/strong>n por n<\/strong>\u00eb valle nuk kan\u00eb <\/strong>shk<\/strong>\u00eb<\/strong>lqyer, si ia dole aq bukur atje ku tradita mungonte dhe valle kishte pak?<\/strong><\/p>\n

\u00a0<\/strong>Natyrisht, q\u00eb Mirdita nuk \u00ebsht\u00eb shquar p\u00ebr vallet mbasi e ka prezantuar fuqish\u00ebm veten n\u00ebp\u00ebrmjet, fjal\u00ebs, k\u00ebng\u00ebs dhe \u00e7iftelis\u00eb, por kjo s\u2019do t\u00eb thot\u00eb q\u00eb s’ka motive vallesh. K\u00ebt\u00eb “refren” e d\u00ebgjoja vazhdimisht nga vendasit, sidomos n\u00eb prag t\u00eb festivalit folklorik. Ky mendim i fiksuar dhe i pranuar nga stafi artistik, mbasi si vendas \u201ce dinin k\u00ebt\u00eb gj\u00eb m\u00eb mir\u00eb\u201d,e nd\u00ebshkonte Mirdit\u00ebn dhe trash\u00ebgimin\u00eb shpirt\u00ebrore t\u00eb saj. Ekspeditat e mia k\u00ebrkimore 1987 – 88 n\u00eb Mirdit\u00eb treguan t\u00eb kund\u00ebrt\u00ebn. N\u00eb Fan rash\u00eb n\u00eb gjurm\u00ebt e nj\u00eb rituali t\u00eb kultit t\u00eb UJIT \u2013 \u201cGurra e Lasht\u00eb\u201d nga bisedat me t\u00eb moshuarit. Babgjyshi 84 vje\u00e7ar, Prend Paci mbartte k\u00ebt\u00eb Motiv nga te par\u00ebt e tij q\u00eb prej rreth viteve 1600 P.K.<\/p>\n

Personalisht gjeja nj\u00eb motiv me vlera t\u00eb hershme nga kjo trev\u00eb p\u00ebr Mirdit\u00ebn. Stafi Artistik zhvillonte mbledhje t\u00eb gjata q\u00eb t\u00eb hiqja dor\u00eb nga ky motiv. N\u00eb mbledhjen e fundit me Stafin Artistik, me Zotni Markun, shef i arsimit e kultur\u00ebs p\u00ebrrrethin dhe Zotni Kopon, inspektor p\u00ebr artin nga (komiteti i partis\u00eb) insistova p\u00ebrfundimisht q\u00eb t\u00eb ftohej Prof. Dok. Bogdani si njoh\u00ebs\u00a0 i etnokoreografis\u00eb p\u00ebr konfirmim. \u201cVallja e Gurress\u00eb Lasht\u00eb\u201d e Mirdit\u00ebs qe nj\u00eb jehon\u00eb lasht\u00ebsie n\u00eb Festivalin Folklorik t\u00eb 1988-\u00ebs. N\u00eb Gjirokast\u00ebr u prezantua nga k\u00ebrcimtaret e pallatit t\u00eb Kultur\u00ebs MIRDITA dhe nga k\u00ebrcimtaret e grupit artistik FAN. \u201cVALLJA – GURRA E LASHTE” u vler\u00ebsua si nj\u00ebra nga dy kryeveprat Koreografike t\u00eb FF88. Jam e bindur q\u00eb pothuajse \u00e7do p\u00ebll\u00ebmb\u00eb mirditore\u00ebsht\u00eb e pasur me motive k\u00ebrcimi.<\/p>\n

\u00a0<\/strong>Pjesmarrja n<\/strong>\u00eb <\/strong>evente komb<\/strong>\u00eb<\/strong>tare dhe shfaqjet n<\/strong>\u00eb <\/strong>Europ<\/strong>\u00eb <\/strong>a jan<\/strong>\u00eb <\/strong>dhe nj<\/strong>\u00eb <\/strong>sukses i valles?<\/strong><\/p>\n

\u00a0<\/strong>N\u00eb \u201990, ansambli Mirdita dha nj\u00eb muaj rresht koncerte n\u00eb skenat e Zvicr\u00ebs ku iu b\u00ebn\u00eb pritje dinjitoze, atdhetare dhe v\u00ebllaz\u00ebrore nga Kosovar\u00ebt. Deri n\u00eb \u201990 udh\u00ebtimet jasht\u00eb ishin ve\u00e7 shtet\u00ebrore. Kjo pjes\u00ebmarrje jasht\u00eb vendit na u mund\u00ebsua nga Ministri i Kultures, Alfred U\u00e7i. Arsyeja ishte se un\u00eb mbushja pes\u00eb vjet n\u00eb Mirdit\u00eb. N\u00eb at\u00eb koh\u00eb, mbas pes\u00eb vitesh kishe t\u00eb drejt\u00eb t\u00eb l\u00ebvizje nga vendi i pun\u00ebs. Profesori im, Panajot Kana\u00e7i kishte biseduar rreth transferimit tim me Ministrin e Kultur\u00ebs, Zotni U\u00e7i. N\u00eb takimin tim, ministri m\u00eb tha q\u00eb do vinte vet\u00eb n\u00eb Rr\u00ebshen, dhe q\u00eb ishte i interesuar p\u00ebr pun\u00ebn time. Ashtu ndodhi. N\u00eb ate koh\u00eb kishte nj\u00eb k\u00ebrkes\u00eb nga nj\u00eb Zviceran p\u00ebr nj\u00eb grup artistik. Ja q\u00eb q\u00eblloi n\u00eb momentin dhe vendin e duhur edhe p\u00ebr mua si shp\u00ebrblim pune. Kur Komisioni nga Tirana pa grupin e valleve t\u00eb Mirdit\u00ebs u befasuan nga niveli profesional. K\u00ebrcimtar\u00ebt mirditore ishin t\u00eb talentuar, por si\u00e7 thash\u00eb m\u00eb sip\u00ebr, talenti pa pun\u00ebn nuk mjafton. Ata iu n\u00ebnshtruan disiplin\u00ebs q\u00eb solli edhe suksesin. Koncertet e Ansamblit Mirdita n\u00eb Zvic\u00ebr ishin nj\u00eb jehon\u00eb jo vet\u00ebm e suksesit artistik, por edhe si takim i par\u00eb me v\u00ebllez\u00ebrit ton\u00eb kosovar\u00eb, q\u00eb zgjoi shum\u00eb mall dhe emocione t\u00eb forta komb\u00ebtare, me nj\u00eb d\u00ebshir\u00eb e shpres\u00eb t\u00eb madhe bashkimi, q\u00eb forconte natyrisht t\u00eb dy an\u00ebt \u2013 ato shqiptare e kosovare.<\/p>\n

\u00a0<\/strong>A mund t<\/strong>\u00eb <\/strong>na flisni shkurt edhe p<\/strong>\u00eb<\/strong>r valltar<\/strong>\u00eb<\/strong>t mirditas, t<\/strong>\u00eb <\/strong>cil<\/strong>\u00eb<\/strong>ve ju u dhat<\/strong>\u00eb <\/strong>jet<\/strong>\u00eb <\/strong>artistike? P<\/strong>\u00eb<\/strong>r etnografin<\/strong>\u00eb <\/strong>e korrektes<\/strong>\u00eb<\/strong>n n<\/strong>\u00eb <\/strong>paraqitjet skenike? <\/strong><\/p>\n

\u00a0<\/strong>Arti k\u00ebrkon vizion si dhe fokusim t\u00eb qart\u00eb idesh. N\u00eb pallatin e kultur\u00ebs t\u00eb Mirdites grupi m\u00eb i madh n\u00eb num\u00ebr ishte ai i k\u00ebrcimit. Nuk ishte e leht\u00eb p\u00ebr mua si Koreografe q\u00eb pothuajse t\u00eb gjithe ishin kercimtar\u00eb amator\u00eb, por ato ishin te apasionuar mbas k\u00ebrcimit. Ky ishte hapi i pare shum\u00eb pozitiv. Fakti q\u00eb ishin amator\u00eb, k\u00ebrkonte nj\u00eb pun\u00eb te dyfisht\u00eb nga ana ime. Si rrjedhoj\u00eb, kjo e solli Grupin n\u00eb stadin e lart\u00eb t\u00eb k\u00ebrcimit profesionist, i cili u vler\u00ebsua si n\u00eb vend ashtu dhe jasht\u00eb. Koreografin\u00eb e kam par\u00eb dhe do ta shoh gjithmon\u00eb si llojin m\u00eb t\u00eb sofistikuar dhe kompleks t\u00eb artit, q\u00eb nuk ka asnj\u00eb lidhje me k\u00ebrcimin amatoresk. P\u00ebr nj\u00eb koreografi k\u00ebrkohet fillimisht: salla, koreografi\/ja, grupi k\u00ebrcimtar dhe shoq\u00ebruesi muzikor n\u00eb prova. S\u00eb dyti: Libreti (p\u00ebrmbajtja e koreografis\u00eb), kompozitori p\u00ebr t\u00eb shkruar muzik\u00ebn simbas Libretit dhe veshja n\u00eb sken\u00eb simbas p\u00ebrmbajtjes s\u00eb koreografis\u00eb, orkestra shoq\u00ebruese me dirigjentin, dhe s\u00eb treti skena e nd\u00ebrtuar simbas p\u00ebrmbajtjes s\u00eb koreografis\u00eb. Si\u00e7 e shikon, t\u00eb koreografosh nevojiten disa komponent\u00eb, ku secili prej tyre ka nj\u00eb rol t\u00eb r\u00ebnd\u00ebsish\u00ebm n\u00eb k\u00ebt\u00eb kompleksitet p\u00ebr arritjen e nj\u00eb koreografie profesionale. Pra, koreografia k\u00ebrkon shum\u00eb, dhe mbas performanc\u00ebs n\u00eb sken\u00eb nuk e ruan dot si p\u00ebr shembull nj\u00eb tabllo pikture, notat e muzik\u00ebs apo nj\u00eb lib\u00ebr t\u00eb shkruar. K\u00ebrcimi p\u00ebr tu ngritur n\u00eb art, \u00ebsht\u00eb nj\u00eb zhan\u00ebr \u201ckapri\u00e7ioz\u201d me k\u00ebrkesat e saja\u2026<\/p>\n

Kushtet e asaj kohe, dhe pse jo optimale, nuk i penguan ato vajza dhe djem Mirditor\u00eb\u00a0 t\u00eb ushtronin artin e k\u00ebrcimit. Pjes\u00ebmarrja e tyre plot pasion i n\u00ebnshtrohej k\u00ebsaj disipline, prandaj dhe arrit\u00ebn rezultate t\u00eb shk\u00eblqyera. P\u00ebr sa i p\u00ebrket\u00a0 paraqitjes skenike, p\u00ebr shembull thyerje tabuje ishte p\u00ebr mua t\u00eb vishej kostumi komb\u00ebtar me kepuc\u00eb t\u00eb jet\u00ebs s\u00eb p\u00ebrditshme. Ose vajzat e vogla t\u00eb visheshin si nuse reale, edhe n\u00ebse nj\u00eb koreografi titullohet \u201cLoja e nuses\u201d, kjo konceptohej dhe n\u00eb krijimtari si loj\u00eb, dhe jo si p\u00ebrceptim real i nus\u00ebrimit. \u00c7do koreografi kishte nj\u00ebmesazh dhe fabul, ku n\u00ebp\u00ebrmjet l\u00ebvizjes, k\u00ebrcimtari komunikon me spektatorin. Synimi ishte: shikuesi t\u00eb vihet p\u00ebrball\u00eb temave vetjake dhe shoq\u00ebrore. Ashtu si\u00e7 kam zhvilluar pun\u00ebn time nga ajo q\u00eb kam m\u00ebsuar nga maestrot e mi, artist\u00ebt e k\u00ebrcimit n\u00eb Mirdit\u00eb p\u00ebrftuan prej meje at\u00eb q\u00eb ato kishin nevoj\u00eb, dhe tashm\u00eb b\u00ebjn\u00eb artin e tyre si n\u00eb vend, po ashtu dhe n\u00ebp\u00ebr bot\u00eb.<\/p>\n

\u00a0Cili <\/strong>\u00eb<\/strong>sht<\/strong>\u00eb <\/strong>mendimi tuaj p<\/strong>\u00eb<\/strong>r mirditasit?<\/strong><\/p>\n

\u00a0<\/strong>Mirdita m\u00eb ka impresionuar gjithmon\u00eb me talentet e saj virtuoz\u00eb, me njer\u00ebzit q\u00eb e kapnin t\u00eb ren\u00eb \u201cq\u00eb n\u00eb aj\u00ebr\u201d, q\u00eb k\u00ebrkonin vazhdimisht t\u00eb ecnin me koh\u00ebn dhe nj\u00ebher\u00ebsh t\u00eb ruanin tradit\u00ebn. E mbi t\u00eb gjitha, njer\u00ebz me nj\u00eb shpirt t\u00eb bukur e t\u00eb past\u00ebr, si dhe me karakter t\u00eb lart\u00eb. Mirdita, me nj\u00eb qytet t\u00eb \u201cvog\u00ebl\u201d, me nj\u00eb aktivitet t\u00eb pafund. Mbaj mend kur isha n\u00eb muajt e par\u00eb n\u00eb Mirdit\u00eb, erdhi Teatri i Operas dhe Baletit nga Tirana. Luhej nj\u00eb pjes\u00eb baleti. Personalisht isha skeptike se si do t\u00eb reagonte spektatori. Sjellja dinjitoze e tij ngjante sikur t\u00eb ishte ‘rritur’ me artin klasik. Jam ndjer\u00eb pafund\u00ebsisht krenare p\u00ebr publikun Mirditor. N\u00eb mes jush jam ndjer\u00eb \u201csi n\u00eb sht\u00ebpin\u00eb time\u201d.<\/p>\n

A keni nj<\/strong>\u00eb <\/strong>mesazh?\u00a0<\/strong><\/p>\n

Jam e nj\u00eb mendimi me th\u00ebnien e Inva Mul\u00ebs n\u00eb hapjen e spektaklit Virtuoz\u00ebt; \u201cArti <\/em>\u00ebsht\u00eb nj\u00eb zinxhir i bukur q\u00eb nuk lejohet t’i shk\u00ebputet asnj\u00eb hallk\u00eb. Pa nj\u00eb zinxhir nuk krijohet tradit\u00eb, pa nj\u00eb tradit\u00eb nuk ka nj\u00eb komb t\u00eb fuqish\u00ebm\u201d.
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